The late '70s were a very fertile time for John Renbourn. The solo albums he'd done had explored early music and blues – the twin ends of a wide spectrum – and in his post-Pentangle period he mined a lot of the terrain in between. This album – recorded at BBC concerts on July 26, 1978, and May 21, 1980 – shows how far he'd traveled. His work with Stefan Grossman had been documented on a couple of albums, but adding flute and tabla to the lineup, as well as reuniting with former Pentangle colleague, singer Jacqui McShee, offered more possibilities, as on "Great Dreams From Heaven" and another visit to "Trees They Do Grow High," which Renbourn and McShee had performed with Pentangle.
Looking back through the pages of '80s metal mags at photographs of Scott Ian wearing Bermuda jams with "Not" shaved into his chest hair (Hit Parader or Metal Circus, anyone?), it's easy to forget that, on-stage, Anthrax were a serious force to be reckoned with. Caught in a Mosh: BBC Live in Concert relives the experience of hearing the thrash megaliths perform in their heyday with two shows from 1987, just on the heels of their first gold record, Among the Living…
JACK BRUCE. The composer, the singer, the multi-instrumentalist, the Legend. Hailed as one of the most powerful vocalists and greatest bassists of his time, his improvisational skill and utterly unique, free-spirited approach to composition and performance would forever change electric music. His pioneering, full-toned, free-wheeling playing on the electric bass revolutionised the way the instrument is used and influenced the playing of countless bassists to today, including Sting and Jaco Pastorius. His work with bands such as Cream and the Tony Williams Lifetime, as well as his solo material, unlocked the doors to the pent-up energy of a new approach to the art of sound, breaking the barriers of tradition and creating a kind of music that had never been heard.
BBC in Concert is one of those miraculous archival finds that one just can't anticipate and dares not hope for. Apart from Yes (always the exception to a lot of rules), very few progressive rock bands managed to get themselves recorded live under optimum conditions, much less so early in their careers…