Club Dogo King OF The Jungle

In the half-century since he began his reign as King of the Surf Guitar, Dick Dale has remained one of rock’s most innovative and influential axemen. A bold pioneer in the use of speed, volume and sonic texture, the charismatic Dale invented surf music, and in the process permanently altered the role of the electric guitar in rock ’n’ roll. Of all the surf guitarists who would follow in Dale’s wake, none could match his prodigious technique, his fierce showmanship or his restless inventiveness…

In the half-century since he began his reign as King of the Surf Guitar, Dick Dale has remained one of rock’s most innovative and influential axemen. A bold pioneer in the use of speed, volume and sonic texture, the charismatic Dale invented surf music, and in the process permanently altered the role of the electric guitar in rock ’n’ roll. Of all the surf guitarists who would follow in Dale’s wake, none could match his prodigious technique, his fierce showmanship or his restless inventiveness…

B.B. King - King Of The Blues (1992) [4CD Box Set]
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© 1992 MCA Records | MCAD4-10677
Blues / Soul Blues / Modern Electric Blues

No way can a mere four discs cover every facet of the blues king's amazing recording career, but MCA makes a valiant stab at it. The first two discs, as expected, are immaculate: opening with his Bullet Records debut ("Miss Martha King"), the box continues with a handful of pivotal RPM/Kent masters before digging into his 1960s ABC-Paramount material ("I'm Gonna Sit in 'til You Give In" and "My Baby's Comin' Home" are little-recalled gems). The hits – "The Thrill Is Gone," "Why I Sing the Blues," "To Know You Is to Love You" – are all here, and if much of the fourth disc is pretty disposable, it only mirrors King's own winding down in the studio.

Double-CD compilation that includes all three of the albums King recorded for Leon Russell's Shelter label in the early 1970s, as well as some other cuts (half a dozen of which were previously unissued) recorded around the same period. King's vocal and guitar-playing skills remained intact when he joined Shelter, but these recordings aren't among his best. That's partially because he was playing with rock-oriented sidemen, and partially because the material - divided between covers of blues standards, contemporary rock and soul items, and songs written by Leon Russell - wasn't especially exciting or sympathetic. Most crucial was the near-total absence of material from the pen of King himself. Although this set isn't bad, when you want to turn to classic King, you'll go elsewhere, particularly to the sides he recorded for the King label in the '60s.

These 17 tunes come from King's most fertile period, his 1966-68 tenure at Memphis's Stax Records. Stax chief Jim Stewart had been reluctant to sign blues artists because he felt straight blues wouldn't mesh with Stax's patented Memphis soul. Ironically, the fusion of King's sharp guitar wails with the dynamic rhythms of Booker T. & the MGs - the Stax house band - was what set King apart from other bluesmen. The unique blend produced classic after classic: Booker T. Jones' rolling piano propels "Laundromat Blues." Al Jackson's drum shuffle supports "Crosscut Saw." The driving horns of Andrew Love, Wayne Jackson, and Joe Arnold accent "Born Under a Bad Sign." King's ripe and mellow vocals are a perfect match for the soul-drenched music while his dramatic string bends leap out.