Club Dogo King OF The Jungle

King Gizzard and The Lizard Wizard return with new album K.G., their sixteenth since forming in 2010. In the wake of a global pandemic, it’s a collection of songs composed and recorded remotely after the six members of the band retreated to their own homes scattered around Melbourne, Australia. K.G. is a pure distillation of the King Gizzard sound, one that cherry picks the best aspects of previous albums and contorts them into new shapes via defiantly non-western rock scales.

Tampa Red - Dynamite! The Unsung King Of The Blues (2015) {2CD Set, Ace Records CDTOP2-1440 rec 1945-1953}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 388 Mb | MP3 @320 -> 335 Mb
Full Artwork @ 300 dpi (jpg) -> 57 Mb | 5% repair rar
© 1945-53, 2015 Ace Records / Sony Music | CDTOP2 1440
Blues / Slide Guitar Blues / Acoustic Chicago Blues / Early American Blues

Tampa Red's influential later recordings for RCA Victor (1945-53) have never been officially reissued on CD and rarely on LP, yet are a crucial element in the post-war blues canon. Many of his songs were covered by B. B. King, Muddy Waters and other top bluesmen. They feature the majestic piano of latter-day Elmore James sideman, Johnny Jones and include the harmonica of Big Walter 'Shakey' Horton and Sonny Boy Williamson II. There are four previously unissued tracks but none are available on authorised CD, not even on OOC releases.

Originally titled King Does the King's Thing, here's Albert King adding his own touch to a batch of Elvis Presley tunes. Because King's style is so irreducible, the concept actually works, as he fills this album with his traditional, high-voltage guitar work and strong vocals. That isn't surprising, since four of the nine tunes on here originally started as R&B hits covered by Presley, including an instrumental version of Smiley Lewis' "One Night." No matter what the original sources may be, though, this is a strong showing in King's catalog.

Amazingly, many of the recordings guitarist Tampa Red made for RCA Victor and Bluebird in the '40s and early '50s never saw reissue until this 2015 double-disc by Ace. As John Broven points out in his rightly evangelical liner notes for Dynamite! The Unsung King of the Blues, CD-era reissues of Tampa Red usually began at the beginning, which for the guitarist meant 1934, and petered out by the late '40s, which is when Tampa Red eased away from hokum and into earthy guitar-and-piano blues that had substantial influence on the electric blues of the '50s. On Dynamite! The Unsung King of the Blues, the interaction between Tampa Red and his pianists Big Maceo Merriweather and, later, Maceo's protégé Little Johnnie Jones certainly points the way to the classic sound of Chicago blues - particularly when it's paired with a big, swinging drumbeat - and the bluesman's repertoire was also cherry-picked by B.B. King…

For their 26th album, King Gizzard and The Lizard Wizard swap the widescreen concepts of their recent albums for the intimacy of six good friends collaborating on the most bonhomie-laden set they’ve yet committed to wax. For Flight b741, bandleader Stu Mackenzie says King Gizzard “wanted to make something that was primal, instinctual, more ‘from the gut’ – just people in a room, doing what feels right. We wanted to make something fun.”