Csi Miami S07e14 Smoke Gets in Your Csi's

Pianist Cory Smythe's often-knotty compositions and improvisations move between, and combine, contemporary classical and avant jazz, while also addressing social issues in ways that are both unusual and highly conceptual.

One of the most popular singers of the late-'20s/early-'30s period, Ruth Etting was not really a jazz singer (unlike her contemporary, Annette Hanshaw) but a superior middle-of-the-road pop singer who was often accompanied by top jazz musicians. She recorded over 200 songs between 1926-1937, appeared on-stage, was in 35 film shorts and three full-length movies, and was a fixture on radio before her bad marriage cut short her career. She made a minor comeback in the late '40s and was still singing on an occasional basis in the mid-'50s when a semi-fictional Hollywood movie on her life (Love Me or Leave Me) was released. A superb torch singer with a cry in her voice even when she smiled, Etting recorded the definitive versions of "Ten Cents a Dance" and "Love Me or Leave Me."

A wonderful album by the pianist extraordinaire Eddie Higgins with tenor saxophonist Scott Hamilton. These veterans make gorgeous, romantic and beautiful music together. A classic! They are also joined by Steve Gilmore on bass and Bill Goodwin on drums.

Most people want to avoid thinking about death, but Caitlin Doughty a twenty-something with a degree in medieval history and a flair for the macabre took a job at a crematory, turning morbid curiosity into her life’s work. Thrown into a profession of gallows humor and vivid characters (both living and very dead), Caitlin learned to navigate the secretive culture of those who care for the deceased.