Cage (dead Souls Mc: Prospects #1)

Ian Curtis' death prompted a flood of bootlegs and similar "tributes," likely motivated more by profit than anything else. Seeking to trump this problem — though arguably coming from much the same standpoint — Factory issued Still in 1981, a haphazard if still useful collection of odds, ends, and more. Considering that the band's many singles weren't properly compiled until much later on Substance, Still makes only partial sense — the studio cuts were mostly outtakes, while the live songs had their own problems. Of the studio takes, only two tracks had seen formal release beforehand — the mesmerizing post-punk meets R&B groove of "Glass" and the searing "Dead Souls," certainly both worthy of even more listens. Beyond that, things were more hit and miss, with strong instrumental performances given to slightly indifferent songs and vice versa.

The dead live again in this haunting compendium of ghostly visitations through the ages, exploring the history of our fascination with zombies and other restless souls.

Carted to Alabama under the cloud of dark politics, a band drew a glistening straight line from punk to country to soul to grand theater. On November 8th, the day after the 2016 election, Welsh-bred, Chicago-based musician and visual artist Jon Langford and a crew of merry-makers and alchemists filed into the NuttHouse studio, a one-story former bank building in Sheffield, Ala. (population 9,039). The musicians from Chicago, Nashville, Los Angeles, and just over the Tennessee River bridge made the pilgrimage to a place of legend and myth, where music runs as deep as the river’s current, to see what might come of it all.

Cannibal Corpse will be releasing a box set to commemorate their 25th anniversary: Dead Human Collection: 25 Years of Death Metal. The box contains: all 12 full length studio albums in a 12 CD foldout case with new artwork, “Torturing and Eviscerating LIVE” on CD and LP Picture Disc recorded in Tampa, FL 2010 / Milwaukee, WI 2012, PLUS: NEW EXCLUSIVE images by VINCE LOCKE, 12"X12" graphic prints of all 13 original album covers, and a 2013 Cannibal Corpse Calendar.

The primary impetus behind this ambitious 12-disc box set is to gather all nine of the Grateful Dead's Warner Brothers titles. However, the staggeringly high quotient of previously unissued bonus material rivals – and at times exceeds – the content of those original albums. The Golden Road (1965-1973) truly has something – and usually a lot of it – for every degree of Deadhead…