Cage (dead Souls Mc: Prospects #1)

Most of Britain has fallen to an invasion of zombies. There is no escape from their insatiable appetite for living flesh. But in Oxford, city of the dreaming spires, an unlikely alliance between a crew of firefighters and a pair of misfit soldiers has allowed them to survive. Now, with the city virtually overrun, it's time to strike back!!

'Tao Of Dead' is the seventh studio album from Texas rockers And You Will Know Us By The Trail Of Dead. Recorded with just a four piece rather than the group's usual six, the group reference their love of classic prog rock records from thelikes of Pink Floyd and Yes and combine them with the trademark heavy gonzo rock sound. It includes the single 'Summer Of All Dead Souls'.

This live album documents the meeting of two avant-garde legends, but it is not exactly a "super duo." The curious chemistry these two share is subtler and possibly more rewarding than that. John Cage was a quotable artist. On the subject of albums, he once remarked that “records ruin the landscape.” Elsewhere, in a treatise collected in his 1961 book Silence, the composer offered some opinions about jazz. The genre “derives from serious music,” he wrote, “and when serious music derives from it, the situation becomes rather silly.” Given those harsh judgments, it makes sense to venture an opening question about Cage’s one-off appearance alongside swing-and-improv icon Sun Ra. If Cage himself thought jazz unsuited for “serious” contexts and recordings lame, why should this document of their 1986 shared bill be anything other than a curiosity?