Camouflage Dresden

Originally released in 1986 only on LP and MC, this Deluxe Edition includes archive tapes & studio adventures. After 26 years of a long wait it has finally come out, CD of the cult debut album with some additional bonus tracks. The successful 80's producer, Theo Werdin has searched his garage for us and played the old tapes himself. The original demo recordings from 1985 and even more awesome unreleased demo tracks have been discovered in the old archives. Many legendary names who participated in this project, and only by the then broke the record company, it was Dresden China, group that had so much potential, unfortunately not as well known as they deserved. Now we have everything on a CD compiled and provided new booklet with lots of additional information and images to an insight, how the time is all gone.

After the great success of his Beethoven cycle, Christian Thielemann now turns with his new orchestra, the Staatskapelle Dresden, to the symphonic work of Johannes Brahms. Bonus features include: an extensive 52 minute interview with Christian Thielemann on Brahms' Symphonies and provides and in-depth look into his interpretation of Brahms.

After the great success of his Beethoven cycle, Christian Thielemann now turns with his new orchestra, the Staatskapelle Dresden, to the symphonic work of Johannes Brahms. Bonus features include: an extensive 52 minute interview with Christian Thielemann on Brahms' Symphonies and provides and in-depth look into his interpretation of Brahms.

Beethoven's Missa Solemnis was performed on 13 and 14 February, 2010 at the traditional memorial concert to commemorate the bombardement of Dresden during the last weeks of World War II. Under Christian Thielemann, the Staatskapelle Dresden proved itself exeptionally qualified to master this work´s magnificent challenges. Thielemann “conjured up the gigantic cosmos of the Missa with such lightness and grace that its mystery seemed to reveal itself”, wrote the Frankfurter Allgemeine Zeitung.

On the occasion of its 50th anniversary, the Salzburg Easter Festival presents a 'Re-creation' of Die Walküre: of Herbert von Karajans musico-theatrical vision of the 19th century masterwork, with which the legendary Maestro opened the very first Easter Festival in 1967. The top-ranking ensemble of singers performs in the faithfully reconstructed scenery of the original production with impressive video backdrops inspired by the original glass paintings. Christian Thielemann, who has been assistant of Karajan in his beginnings, counts among the worlds foremost Wagner conductors, ' there is an absolute polish to this performance that is exceptional' writes the financial Times about the conductor and orchestra. The critics are full of praise for this 'musically ravishing Walküre' (Frankfurter Allgmeine) and its excellent ensemble of soloists'.

Maurizio Pollini's second Deutsche Grammophon release with Christian Thielemann and the Staatskapelle Dresden is a live concert recording of Johannes Brahms' Piano Concerto No. 2, a fitting follow-up to his successful 2011 CD of the Piano Concerto No. 1 in D minor. That recording marked Pollini's triumphant return to Dresden, but this 2013 recording is less about the significance of the concert and more about the consolidation of Pollini's working relationship with Thielemann and the orchestra.

From a logical viewpoint "Sensor" was bound to be the electropop masterpiece that it is, given the patented "experimental" phase most bands go through before deciding to go back to what they do best. Following hit parade "Voices & Images" and the under rated follow-up "Methods of Silence" (perhaps due to the band including acoustic instrumentation) was "Meanwhile", an album few bothered with. And, granted, it sounded way too "ordinary" with its traditional rock setting and much of the Camouflage aura had gone missing. Oliver Kreyssig, who left the band after "Methods of Silence", decided to join the band again during the recording sessions for "Sensor", and it makes sense, as this new album shows a back-to-basics approach in terms of the song writing. The music, however, sounds remarkably fresh and modern. Maybe this was what Marcus and Heiko aimed at with "Bodega Bohemia", but didn't quite succeed with…