Campus Concert

Mitchell And Ruff - Brazilian Trip / Campus Concert (2002)  Music

Posted by Domestos at May 22, 2018
Mitchell And Ruff - Brazilian Trip / Campus Concert (2002)

Mitchell And Ruff - Brazilian Trip / Campus Concert (2002)
XLD Rip | FLAC (tracks+.cue, log) ~ 345.55 Mb + 27.35 Mb (Scans) | 76:12
Brazilian Jazz, Bop | Country: USA | Label: Collectables - COL-CD-7475

Because so few of the recordings by the Mitchell-Ruff Duo have been reissued during the CD era, the reappearance of their recordings on various Collectables releases has been very welcome. Two separate LPs, recorded nearly a decade apart for Epic, make up this two-CD compilation. Brazilian Trip, though recorded in New York City in the summer of 1966, finds the American duo working with a rotating cast of young Brazilian musicians, playing ten sambas written by the visitors, only one of whom, drummer Chico Batera, was a full-time musician.
Erroll Garner - Campus Concert (2019) [Official Digital Download 24/96]

Erroll Garner - Campus Concert (2019)
FLAC (tracks) 24-bit/96 kHz | Time - 38:02 minutes | 806 MB
Studio Master, Official Digital Download | Artwork: Front Cover

The Octave Remastered Series represents the heart of Erroll Garner's recorded catalogue. Spanning 12 albums recorded and released between 1959 and 1976, this collection of music is among the most important in the history of jazz. It represents an artist in his prime, with full creative and commercial control of his output following his break with Columbia Records. All of these albums were owned by Garner's Octave Records and licensed for release on a variety of iconic labels, including MGM, ABC, Philips, Mercury, Reprise, MPS, and more.
Teddy Charles - On Campus! Ivy League Jazz Concert (1959) {2014 Japanese Bethlehem Album Collection 1000}

Teddy Charles - On Campus! Ivy League Jazz Concert (1959) {2014 Japanese Bethlehem Album Collection 1000}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 274 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 300 dpi (png) -> 41 Mb | 5% repair rar
© 1959, 2014 Solid Records / Bethlehem | CDSOL-6148
Jazz / Cool / Vibes

Features the latest remastering. Includes a Japanese description, lyrics. Features original cover artwork. A great Bethlehem Records date from vibes man Teddy Charles – stepping out here in a set that's one of his most openly swinging of the time! The record still has some of the modern currents of Teddy's other work, but also makes great use of Zoot Sims on tenor – really pushing him out front for some bold solos on most numbers – in a great group that also includes Jimmy Raney on guitar, Sam Most on flute, and Dave McKenna on piano.

Pete Seeger - The Complete Bowdoin College Concert 1960 (2012)  Music

Posted by delpotro at Feb. 26, 2020
Pete Seeger - The Complete Bowdoin College Concert 1960 (2012)

Pete Seeger - The Complete Bowdoin College Concert 1960 (2012)
EAC Rip | FLAC (tracks+log+.cue) - 652 Mb | MP3 CBR 320 kbps - 255 Mb | Digital booklet | 01:51:28
Folk | Label: Smithsonian Folkways Recordings

Targeted by the infamous House Un-American Activities Committee, blacklisted, and under indictment for contempt of Congress for refusing to answer questions about his political beliefs, Pete Seeger persevered, traveling throughout North America and performing "community concerts" in schools and local venues. This 1960 concert at Bowdoin College in Maine captures the mood of the time and the enormity of Seeger's talent as a performer, song leader, and social activist. The 2-CD set presents the entire concert, recorded with extraordinary fidelity by the campus radio station.
Tete Montoliu - Boston Concert, Volume 2 (1980) {SteepleChase SCCD 31153 rel 1997}

Tete Montoliu - Boston Concert, Volume 2 (1980) {SteepleChase SCCD 31153 rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 208 Mb | MP3 @320 -> 115 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1980, 1997 SteepleChase | SCCD 31153
Jazz / Modal Music / Post Bop / Piano

This solo recording of the blind Catalan Jazz Pianist Tete Montoliu was recorded in 1980 at Boston University, Massachusetts. The first thing to say about these recordings is that Piano sounds very good for a live recording. Montoliu is a verstile Pianist, one minute he'll be playing in a modern idiom, and in next moment bluesy or then maybe bebop. My favourite track on this album is his great reading of Parker's 'Confirmation'; not the easiest tune to play as a solo Piano piece! Montoliu makes it seem very easy and part of the way through one of trademark change of styles occurs when he starts a walking 4 to the bar left-hand.
Tete Montoliu - Boston Concert, Volume 1 (1980) {SteepleChase SCCD 31152 rel 1997}

Tete Montoliu - Boston Concert, Volume 1 (1980) {SteepleChase SCCD 31152 rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 213 Mb | MP3 @320 -> 115 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1980, 1997 SteepleChase | SCCD 31152
Jazz / Modal Music / Post Bop / Piano

This solo recording of the blind Catalan Jazz Pianist Tete Montoliu was recorded in 1980 at Boston University, Massachusetts. The first thing to say about these recordings is that Piano sounds very good for a live recording. Montoliu is a verstile Pianist, one minute he'll be playing in a modern idiom, and in next moment bluesy or then maybe bebop.
Cornell '77: The Music, the Myth, and the Magnificence of the Grateful Dead's Concert at Barton Hall

Cornell '77: The Music, the Myth, and the Magnificence of the Grateful Dead's Concert at Barton Hall by Peter Conners
English | April 1st, 2017 | ASIN: B06XKKCN48, ISBN: 150170432X | 264 pages | EPUB | 5.54 MB

On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and had not toured for twenty months. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances, including the one at Cornell.
Cornell '77: The Music, the Myth, and the Magnificence of the Grateful Dead's Concert at Barton Hall

Cornell '77: The Music, the Myth, and the Magnificence of the Grateful Dead's Concert at Barton Hall by Peter Conners
English | April 11th, 2017 | ISBN: 150170432X | 264 pages | PDF | 105.01 MB

On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and had not toured for twenty months. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances, including the one at Cornell.
Wiener Sängerknaben - 525 Years Anniversary Concert (2023) [Official Digital Download]

Wiener Sängerknaben - 525 Years Anniversary Concert (2023) [Official Digital Download]
FLAC (tracks) 24-bit/48 kHz | Front Cover | Time - 75:15 minutes | 794 MB
Classical | Studio Master, Official Digital Download

On the occasion of their 525th anniversary, the Vienna Boys' Choir with all its choirs - the Kn- abenchor, the Vienna Girls' Choir, the Chorus Primus, the Chorus Juventus and, last but not least, the alumni of the Chorus Viennensis - and with the support of 14 hand-picked instrumentalists, tell their story in music.
Cornell '77: The Music, the Myth, and the Magnificence of the Grateful Dead's Concert at Barton Hall [Audiobook]

Cornell '77: The Music, the Myth, and the Magnificence of the Grateful Dead's Concert at Barton Hall [Audiobook] by Peter Conners
English | November 27th, 2018 | ASIN: B07K8TJLYR | MP3@64 kbps |5 hrs 2 mins | 139.34 MB
Narrator: Johnny Heller

On May 8, 1977, at Barton Hall, on the Cornell University campus, in front of 8,500 eager fans, the Grateful Dead played a show so significant that the Library of Congress inducted it into the National Recording Registry. The band had just released Terrapin Station and was still finding its feet after an extended hiatus. In 1977, the Grateful Dead reached a musical peak, and their East Coast spring tour featured an exceptional string of performances, including the one at Cornell.