Canzoni da Intorto

Daniele Di Bonaventura - Canzoni da casa (2021) [Official Digital Download]

Daniele Di Bonaventura - Canzoni da casa (2021)
FLAC (tracks) 24-bit/44.10 kHz | Time - 55:48 | 566 MB
Studio Master, Official Digital Download | Artwork: Front cover

“Ho registrato questo lavoro tutto di un fiato nel mio studio a casa in un caldo pomeriggio di Maggio durante il lockdown del 2020, non pensavo di farne un disco ma poi riascoltandolo ho sentito una grande energia sprigionarsi da queste canzoni che ho scelto così per caso. Ho voluto mantenere la registrazione del bandoneon così evidentemente separata tra mano destra e mano sinistra perchè vorrei farvi sentire quello che provo quando suono. Quindi consiglio per un miglior effetto l’utilizzo delle cuffie cosìda poter godere a pieno lo stesso mio punto di ascolto durante la mia esecuzione.” Daniele di Bonaventura
Concerto Scirocco - Picchi - Canzoni da sonar con ogni sorte d'istromenti (2020) [Official Digital Download 24/88]

Concerto Scirocco - Picchi - Canzoni da sonar con ogni sorte d'istromenti (2020) [Official Digital Download 24/88]
FLAC (tracks) 24-bit/88.2 kHz | Front Cover | Time - 01:11:29 minutes | 1,3 GB
Classical | Label: Arcana, Official Digital Download

El soto dei Frari ,the lame man of the Frari: this was the nickname given to the Venetian Giovanni Picchi, perhaps a pupil of Giovanni Croce, in the charges pressed against him in 1610 for teaching music to the nuns in the Spirito Santo without a licence.
La Guilde des Mercenaires, Adrien Mabire - Canzoni da Sonare 1634 (2022)

La Guilde des Mercenaires, Adrien Mabire - Canzoni da Sonare 1634 (2022)
FLAC (tracks), Lossless / MP3 320 kbps | 2:25:05 | 708 / 326 Mb
Genre: Classical / Label: Lanvellec Editions

Girolamo Frescobaldi, jeune organiste de Ferrare, publie son premier recueil de canzoni en 1608, juste après l'obtention d'un poste prestigieux d'organiste à la basilique Saint-Pierre de Rome. Ce genre musical, né peu avant lui et qui s'éteindra à sa mort, est le fil rouge de son oeuvre. Le recueil sur lequel est basé cet opus, intitulé le Primo libro da Canzoni, a été publié en 1634, et il constitue l'aboutissement de ce travail. Ces oeuvres « à une, deux, trois ou quatre voix, accommodées pour être jouées par toutes sortes d'instruments », ont fait l'objet d'un minutieux travail de recherche par la Guilde des Mercenaires, qui nous en livre dans cet opus une interprétation magistrale.
Concerto Scirocco & Giulia Genini - Picchi: Canzoni da sonar con ogni sorte d'istromenti (2020)

Concerto Scirocco & Giulia Genini - Picchi: Canzoni da sonar con ogni sorte d'istromenti (2020)
FLAC tracks +booklet | 01:11:19 | 359 Mb
Genre: Classical / Label: Arcana

El soto dei Frari ,the lame man of the Frari: this was the nickname given to the Venetian Giovanni Picchi, perhaps a pupil of Giovanni Croce, in the charges pressed against him in 1610 for teaching music to the nuns in the Spirito Santo without a licence. In 1612 we find him intent on initiating an appeal against the Scuola Grande di San Rocco, after the appointment of Giovanni Battista Grillo as organist.The appeal is successful, obliging the powerful institution to repeat the examination. We also find this original and hot-tempered personality in his 19 Canzoni da sonar con ogni sorte d istromenti (Venice 1625): a collection which reveals the brilliant flair of this still little-known composer.The detailed instrumentation given by the author allows us to recreate the typically Venetian aural splendour, with glorious sackbut choirs and virtuosic violins, recorders, cornetts and bassoon. With the Canzoni da Sonar, presented by Concerto Scirocco in the first ever complete recording of the work, Giovanni Picchi sculpts his mastery into music with a variety of vivid colours and pulsating affects, earning a place of honour in the world of the Venetian school.
Il Canzoniere Da Spiaggia Basic: 100 Canzoni con solo 4 Accordi senza Barrè! (Adatto per Chitarra, Ukulele e Pianoforte)

Il Canzoniere Da Spiaggia Basic: 100 Canzoni con solo 4 Accordi senza Barrè! (Adatto per Chitarra, Ukulele e Pianoforte) by Dennis Bottero, Federica Guida
Italian | January 14, 2019 | ASIN: B07MTFWRBR | 424 pages | AZW3 | 1.31 MB

Canzoni in cerca di musica  eBooks & eLearning

Posted by Barvaz at May 30, 2018
Canzoni in cerca di musica

Canzoni in cerca di musica by Bruno Franchi
Italian | 2011 | ISBN: n/a | 257 pages | PDF | 0.8 MB
Hamburger Ratsmusik, Simone Eckert - "Felix Austria": Works for Viola da Gamba Consort (2010)

Hamburger Ratsmusik, Simone Eckert - "Felix Austria": Works for Viola da Gamba Consort (2010)
EAC | FLAC | Image (Cue&Log) ~ 299 Mb | Mp3 (CBR320) ~ 163 Mb | Scans included
Genre: Classical | Label: cpo | # cpo777451-2 | Time: 01:06:00

Over the years I have heard many recordings of music written for the Imperial court in Vienna. That’s no wonder: Vienna was a centre of music-making in Europe. During the 17th and 18th centuries some of the best musicians and composers were in the service of the Habsburg emperors. Most of the recordings concentrate on music for violins or voice. This disc is different in that it presents music for viol consort. That’s all the more interesting, as it is often thought that in the 17th century consort music was only written in France and England. It is quite surprising that this kind of music was also written in Austria. Most musicians in the service of the Imperial court were from Italy, where the viol consort had gone out of fashion since the first quarter of the 17th century. The fact that Italian composers wrote music for viol consort was due to the personal preferences of the emperors, Ferdinand III and Leopold I, who also wrote some music for this kind of ensemble themselves.

DA-HelpCreator 2.8.1  Software

Posted by melt_ at March 27, 2024
DA-HelpCreator 2.8.1

DA-HelpCreator 2.8.1 | 34 Mb

DA-HelpCreator is a help authoring software, which helps you to create online help and documentation. It doesn’t matter if you as a software author want to create an online help in Windows CHM-Format or a FAQ page for the internet. DA-HelpCreator allows you to get started quickly and concentrate on the essentials: the content.
Alberto Rasi, Accademia Strumentale Italiana - Lodovico da Viadana: Sinfonie Musicali (1997)

Alberto Rasi, Accademia Strumentale Italiana - Lodovico da Viadana: Sinfonie Musicali (1997)
EAC | FLAC | Image (Cue & Log) ~ 279 Mb | Total time: 58:54 | Scans included
Classical | Label: Stradivarius | STR33431SD | Recorded: 1996

On the transition of renaissance and early baroque this music is a synthesis of the polyphonic instrumental music for 2 (instrumental) choirs as developed in Venice. The symphoniae already have a basso continuo, but are polyphonic composed for 2 choirs. Alberto Rasi, with Academis Strumentale and two other consorts has understood the basis of the music perfectly. His approach is to render the canzonas in accordance with the style of late renaissance instrumental dance music, using contempory instruments.
Miguel Da Silva, Xavier Phillips & François-Frédéric Guy - Brahms: Trio, Op. 114 & Sonatas, Op. 120 (2021)

Miguel Da Silva, Xavier Phillips & François-Frédéric Guy - Brahms: Trio, Op. 114 & Sonatas, Op. 120 (2021)
WEB FLAC (tracks) - 261 Mb | MP3 CBR 320 kbps - 163 Mb | Digital booklet | 01:10:52
Classical | Label: Alpha Classics, Outhere Music

Brahms’s Trio op.114, originally conceived for clarinet (like the two Sonatas op.120), is presented here in its version with viola: ‘Like all Brahms’s works, this trio is a vocal, melodic piece. And the viola is perhaps the instrument of the string quartet that comes closest to the human voice’, says violist Miguel Da Silva. ‘This version with viola obliges me, as a cellist, to listen differently: our two stringed instruments must “breathe” together and match their articulation’, continues Xavier Phillips. These three works from late in Brahms’s career testify to his modernity: ‘Brahms was often considered a classical composer who was impervious to modernity, the guardian of a certain tradition’, says pianist François-Frédéric Guy, who agrees with Schoenberg that he was, on the contrary, highly innovative: ‘We have a fine example, in the trio, of the extraordinary modernity of his combinations of rhythm and timbre: he is a total innovator.'