Cape Times November 1, 2016

The Book of Souls: Live Chapter is a live album and video by Iron Maiden, recorded throughout their 2016–2017 The Book of Souls World Tour. Released on 17 November 2017, the album was produced by Tony Newton, with Steve Harris serving as co-producer…

Oceans Of Fire is a second album from Celtic rock band Celtica Pipes Rock!

Iron Maiden - The Book Of Souls: Live Chapter (2017) {2CD Parlophone 0190295760885}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 768 Mb | MP3 @320 -> 240 Mb
Full Artwork @ 300 dpi (png) -> 257 Mb | 5% repair rar
© 2017 Parlophone / Iron Maiden / Warner | 0190295760885
Rock / Hard Rock / Hard'n'Heavy / Heavy Metal

Iron Maiden has released over a dozen live records, so the first question for any practical fan is, "do I really need another one?" The Book of Souls Tour is perhaps the most significant in the band's history because it was the first singer Bruce Dickinson undertook after completing treatment for throat cancer. Not only did he sing, but, as usual, piloted the band's 747 to 39 countries on six continents in 2016 and 2017. The band performed in front of more than two million people. The set was produced by Tony Newton with assistance from bassist Steve Harris.

Jimi Tenor can look back on a career spanning almost 30 years, in which time he has released more than 20 albums on such renowned labels as Warp Records, Sähkö and Kitty-Yo. Pop artist prestige holds no sway over the Finnish composer and multi-instrumentalist. Never resting on his laurels, he continues to hone his unique sound, which draws on elements of jazz, Afrobeats and experimental electronic music. Bureau B are excited to announce the arrival of a new Jimi Tenor double album! Following on from last year's NY, Hel, Barca compilation which showcased Tenor's early works and cuts from his first six albums, Deep Sound Learning shines a spotlight on unreleased tracks from 1993 to the year 2000. This intensely prolific period saw Tenor send countless DAT tapes to Warp Records, his label at the time, who stacked up the recordings in the office safe. Some of the songs preserved on those DATs made their way onto various Tenor LPs - whilst others remained unreleased to this day.

Composing Floridante was not a happy experience for Handel. He had recently acquired a popular rival, Giovanni Bononcini, and was forced to work with a new librettist that was more interested in the poetry of his material than its stageworthiness. However, the most serious problem occurred halfway through writing the opera, in October 1721, when the soprano whom Handel had cast as Elmira fell ill. The directors of the opera house (the Royal Academy of Music, patronized by King George I) decided to replace her with a contralto, Anastasia Robinson, whose voice was more limited in range and agility, but who possessed strong political credentials: she was both Roman Catholic, and the mistress of the Earl of Peterborough. These were important assets to the aristocratic Roman Catholic faction that held sway in the Academy at that time. In turn, her former scheduled part, that of Rossane, was to be given to a soprano, Maddalena Salvai.