Composer and pianist Carla Bley has been very consistent, if not exactly prolific, for most of her 40 years in jazz. When she and bassist/life partner Steve Swallow hired British saxophonist Andy Sheppard – then one of his country's young lions as both a composer and as a reedman – in 1989, they hired him on and he's been with the group ever since. The recorded evidence was heard on Sheppard's first appearance with Bley on the utterly beguiling Fleur Carnivore, and later on the fine trio recording Songs with Legs in 1995. Drummer Billy Drummond joined the unit as a permanent member in the early part of this century, and on 2004's Lost Chords debut, locked in with a unit that seemed to be evenly weighted all around.
Carla Bley, Andy Sheppard and Steve Swallow revisit classic Bley compositions on an exceptional album recorded in Lugano last year by Manfred Eicher. Included here are spirited new versions of Utviklingssang and Vashkar, and the suites Les Trois Lagons, Wildlife and The Girl Who Cried Champagne. Carlas robust tunes are vividly conveyed, all members solo compellingly, and the trio has never sounded better.
This collection contains samples from almost all of my life’s musical efforts, starting with recent albums and going back, with a few selections from ECM releases of my work by other artists, to the early sixties.” This is the :rarum disc that reaches the furthest into history as Carla’s “Ictus” is played by Jimmy Giuffre’s 1961 trio: this was music that laid the groundwork for the “chamber jazz” ECM would later explore more extensively. There is music with the Jazz Composer’s Orchestra and with the Liberation Music Orchestra, and with Carla’s large and small ensembles as documented on WATT, and no shortage of star soloists…
Andando el Tiempo features new music of wide emotional compass by Carla Bley, and underlines her originality and resourcefulness as a jazz composer. “Saints Alive!” sets up animated conversations between the participants with striking statements from Steve Swallow’s bass guitar and Andy Sheppard’s soprano sax. The stately “Naked Bridges/Diving Brides” draws inspiration from Mendelssohn and the poetry of Paul Haines. And the powerful three part title composition – which addresses the trials and tribulations of recovery from addiction - moves through sorrow to hopefulness and joy.
For over 20 years, the trio of pianist Carla Bley, bassist Steve Swallow, and saxophonist Andy Sheppard have shared each other's creative company. The group's 2016 album, Andando el Tiempo, is a delicately passionate, classically influenced set. A follow-up to 2013's equally compelling Trios, Andando el Tiempo is, surprisingly, only the third album from the group after their initial live 1995 album Songs with Legs. Whereas on Trios they delved into various Bley compositions from throughout her career, on Andando el Tiempo they focus on several more recently penned works. "Naked Bridges/Diving Bridges" brings to mind the impressionism of composer Claude Debussy.
Finding any previously unreleased Paul Bley material is a wonderful gift. I'm just hoping for more. Much of this live for radio recording was recoded in a studio later (or perhaps just prior) to the European tour but it is great to hear the variations. Paul Bley played many of the same pieces over and over but never the same way twice.