Recorded at the prestigious Studio Piccolo in the heart of Montreal, Quebec, Canadian duo Stick&Bow bring life and energy to ‘Studio Piccolo Sessions’. This audio release accompanies a series of five videos presenting works by: Sting, Pau Casals, Luis Naon, Jason Noble and Carlos Puebla. The dynamic duo highlight the technical finesse and energetic performance between cello and marimba.
Hand-made songs, delightfully crooked, like cigars. Songs for exquisite eardrums. Select quality for music- lovers and demanding collectors Cuban music for fun and pleasure. A luxury for a global minority. In MADE IN CUBA you will find a natural gathering of genres, periods, and the great figures and values of Cuban music. Songs that have walked through the doors of our lives and have comfortably installed themselves in the urban legens at the end of the millennium, driven by the warmth of a new way of thinking, apparently crossbred and global. Songs that bring a new understanding of both traditional and modern values. Made in Cuba is a duble album, the cream, the most expensive cohibas of Cuban music: Eliades Ochoa, Compay Segundo, Los Van Van, Benny More, Bola de Nieve, firahilfi'fierrer, el Trlo Matamoros, Pepesito Reyes, Celia Cruz, Cachao, La Lupe and El Guayabero amongst others…
A welcome return to the ECM catalog for three of the most striking of the early recordings which Jan Garbarek made for the label in the 1970s. In different but related ways Sart (1971), Witchi-Tai-To (1973) and Dansere (1975) brought freshly intelligent and invigorating perspective to bear on questions of dynamics, group sound, interaction and swing, the relation of improvisation and abstraction to the roots of jazz, and the relevance of archetypal yet freshly inflected folk forms to contemporary music. Two ensembles are heard here – Garbarek/Stenson/Rypdal/Andersen/Christensen on the exploratory Sart, and the spirited Jan Garbarek-Bobo Stenson Quartet, one of the most exciting groups of the era.
For the uninitiated, the music on Jordi Savall's new Villancicos y danzas criollas disc is a revelation, gleefully crossing lines between sacred and secular, artistic and popular, and, most strikingly, European, African, and Amerindian. The selections included originated between the early 1500s and the early 1700s, and, unlike those on the Harp Consort's similar Missa Mexicana disc, come from Spain as well as the New World. Indeed, the two recordings together offer a perfect introduction to this fascinating, unfailingly enjoyable and often comic repertory.