Carolin No Hausmusik

Onwards, always onwards. ON&ON&ON. Who knows exactly where the journey will take us.”

Carolin Widmann’s widely acclaimed ECM recordings have traversed a broad arc of music – from Schubert to Xenakis. Here she turns her attention to one of the pivotal compositions of Morton Feldman. "Violin And Orchestra", composed in 1979, marked a new direction, with an almost painterly attention to detail in slowly unfolding music. It is not a concerto in the strict sense of the term, not soloist with orchestral support. The violinist must move inside the glowing colour-field of sound. In this landmark Feldman recording, Widmann does so with great delicacy and feeling, exploring the subtle orchestral texture, crafted together with conductor Emilio Pomarico and the players of the Frankfurt Radio Symphony Orchestra.

"Sol Invictus" (Latin for Unconquered Sun) is the seventh studio album by American rock band Faith No More. It is Faith No More's first studio album since 1997's "Album of the Year", marking the longest gap between two studio albums in their career, and their first release on Reclamation Records. Sol Invictus is also the band's first album since 1992's "Angel Dust" not to feature a lineup change from after one consecutive studio album.

There are seemingly infinite layers of meaning to be found in No-No Boy’s third album, Empire Electric. You can listen closely to singer-songwriter Julian Saporiti’s lyrics, which juxtapose true stories of struggle from throughout Asia and its diaspora with Saporiti’s own reckoning with intergenerational trauma. You could also let the majesty of Saporiti’s songcraft wash over you, his captivating melodies cloaking those themes in a veneer of hope and ecstasy.

"Yacht on the Rocks" is the new full-length album from RIAA certified Gold acapella group Straight No Chaser. The album is a trove of yacht rock classics like "Escape (The Piña Colada Song)," "Sailing," "After The Love Has Gone" and unique mashups including "Waves of Toto" featuring David Paich of Toto. Yacht on the Rocks is produced by Produced by Nicholas Niespodziani, singer, guitarist, and spiritual leader of Yacht Rock Revue. The band sets sail on The Yacht Rock Tour this summer across North America with chart-topping yacht rock pioneers Ambrosia ("How Much I Feel," "Biggest Part of Me," "You're the Only Woman," and "Holdin' on To Yesterday") appearing on select dates.

Jasamine White-Gluz, the principal songwriter of Canadian shoegaze/noise pop band No Joy, and Sonic Boom, aka Spaceman 3 co-founder Pete Kember, have joined forces for a new EP. The collaborative effort is simply titled "No Joy/Sonic Boom" and is due out March 30th via Joyful Noise. Described in a press release as a “synth pop” EP with notes of “electronica, trip-hop and experimental noise”, the four-track effort came about from White-Gluz’s desire to explore music away from a four-piece “rock band”. No Joy / Sonic Boom is an experiment in testing boundaries and stepping out of comfort zones gone cosmically right.

"Sol Invictus" (Latin for Unconquered Sun) is the seventh studio album by American rock band Faith No More. It is Faith No More's first studio album since 1997's "Album of the Year", marking the longest gap between two studio albums in their career, and their first release on Reclamation Records. Sol Invictus is also the band's first album since 1992's "Angel Dust" not to feature a lineup change from after one consecutive studio album.

The third studio long-player from the Connecticut-based indie/emo rock troupe, "Always Foreign" finds the World Is a Beautiful Place & I Am No Longer Afraid to Die nixing the mostly positive vibes of their two prior outings in favor of a deep dive into miseries both internal and external.

The third studio long-player from the Connecticut-based indie/emo rock troupe, "Always Foreign" finds the World Is a Beautiful Place & I Am No Longer Afraid to Die nixing the mostly positive vibes of their two prior outings in favor of a deep dive into miseries both internal and external.

"Introduce Yourself" was originally released in April 1987 and is Faith No More's second album, although many (including the band) considered it to be their "true" debut album. It was recorded in mid-1986 at Studio D in Sausalito, California and was produced by Matt Wallace, Steve Berlin, and Faith No More.