Caroline Shabaz

Few if any composers equalled Schumann in the breadth of his literary taste. His reading encompassed the major figures of European literature in German translation, as Die Weinende, a setting of Byron in his Jugendlieder collection, amply illustrates. The three sets of Lieder und Gesänge in this volume are among his most expressive, the earliest dating from his magical ‘year of song’ of 1840. They take as their subject matter a panoply of romantic concerns: love of nature, the changing of the seasons, parting from one’s beloved, the allure of mermaids, as well as more cheerful strophic songs. This is the final volume in this acclaimed series.

Some of Schumanns early songs, such as Lied für xxx, show the influence of Schubert, but it was in 1840, his Year of Song, that Schumann fully turned his attention to vocal music. The Zweistimmige Lieder, Op. 43 were the first that he composed after his marriage to Clara Wieck, and many of the songs from this time set texts on the subject of love. Schumanns literary background and cultivated tastes mean that any such collection of his songs reads like a catalogue of the greatest poets of his time, with the tragic narratives of Mörike and Heine in the Romanzen und Balladen, Op. 64 as powerful as any opera.

Nonesuch Records releases an album of songs written and performed by Caroline Shaw and Sō Percussion, Let the Soil Play Its Simple Part. The musicians, who have known each other since their student days, were presented with three days of gratis studio time and decided to experiment with ideas they had begun putting to tape during the sessions for their January 2021 Nonesuch release Narrow Sea. With Shaw on vocals and Sō—Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting—filling out this new band, they developed songs in the studio, with lyrics inspired by their own wide-ranging interests: James Joyce, the Sacred Harp hymn book, a poem by Anne Carson, the Bible’s Book of Ruth, the American roots tune “I’ll Fly Away,” and the pop perfection of ABBA, among others. The album is co-produced by Shaw, Sō Percussion, and the Grammy Award–winning engineer Jonathan Low (The National, Taylor Swift).

Nonesuch Records releases its second album from Pulitzer Prize–winning composer Caroline Shaw, Narrow Sea, on January 22, 2021. The title piece was written for Sō Percussion, Dawn Upshaw, and Gilbert Kalish in 2017; they perform it on this recording as well. Narrow Sea comprises five parts, each a new setting of a text from The Sacred Harp nineteenth century collection of shape-note hymns. A composition Shaw wrote for Sō Percussion in 2012, Taxidermy, also is on the album.