Carols Depositfiles

Cyrus Chestnut covers a wide range of hymns, carols and spirituals on this outstanding solo piano CD. A very dramatic "Holy, Holy, Holy" would inspire any congregation, while the rich voicings in "We Three Kings" are subtle yet moving. "Sometimes I Feel Like a Motherless Child" is the most compelling track, with a thought-provoking arrangement that makes great use of space.

Robert Shaw was a Fred Waring protégé who, by the end of his 17-year tenure heading The Robert Shaw Chorale, had fashioned arguably the most widely-known and respected professional choral organization in the United States. The Chorale recorded a number of charting albums, all for RCA Victor, but the one that will always be considered their definitive recording is this Christmas album, presented here in its 1957 re-recorded stereo version (like a lot of popular Christmas albums of the day, Christmas Hymns and Carols had several incarnations, first appearing in the ‘40s as a box of four 78 rpm discs). The album went to #5 on the charts in 1949 and 1957, then hit the charts another three times during the ‘60s; one could argue that, with its seamless medleys and majestic harmonies, it is to this day the gold standard for choral Christmas recordings.

We released Volume I of the Robert Shaw Chorale’s Christmas Hymns and Carols to rapturous response from lovers of Christmas music everywhere, so following it up with Volume II was a natural. Indeed, this second volume of Christmas carols—presented, like on its predecessor, in a series of medleys—perfectly complements the first volume by casting its eye a bit farther afield in search of repertoire suited for the brilliant arrangements of Fred Waring protégé Shaw and his longtime collaborator, Alice Parker. So, instead of the well-worn “O Come All Ye Faithful”/”The First Nowell”/”O Little Town of Bethlehem” medley that led off Volume I, here a medley of “I Saw Three Ships”/”O Tannenbaum”/”Allon, Gay Gay Bergeres”/”The Holly and the Ivy” leads off, followed by “Fum, Fum, Fum”/”Hacia Belén”/”Ya Viene La Vieja”/”La Virgen Lava Pañales,” and more relatively unfamiliar fare, all flawlessly and fervently rendered by The Chorale.