This is Vivaldi and the Super, Super Bartoli at their best. Flawless in performance, execution and musicianship! This album is astounding and is super because it allows me to hear and SEE!"
Two classic easy-listening albums by Paul Mauriat and His Orchestra, originally released in 1967 and 1968 on the Philips label, together on one CD and remastered from the original analogue stereo tapes for Vocalion's trademark crystal-clear sound. French composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."
Giovanni Mirabassi, an Italian pianist, but adopted Frenchman, makes his debut on CAM JAZZ. This trio album, accompanied by a string orchestra, was recorded live in the Goyang Aram Concert Hall in Goyang South Korea on November 27, 2011. On the bandstand with Mirabassi are Gianluca Renzi on double bass and Lukmil Perez Herrera on drums, backed up by the 31 members of the Bee String Orchestra, directed by Lorenzo Pagliei.
El Chicano is an brown-eyed soul group from Los Angeles, California, whose style incorporates various modern music genres including rock, funk, soul, blues, jazz, and salsa. The group's name is from Chicano, a term for United States citizens of typically Mexican American descent.
The "Scala Academy Project" has chosen an opera by Donizetti never before performed on the Scala stage. Le convenienze ed inconvenienze teatrali (Viva la mamma !) is a dramma giocoso which premiered in Naples in 1827. Italian actor, director and writer Antonio Albanese, a true master of wit and satire, made his debut as opera director.
Bernd Alois Zimmermann's Concerto for violin and large orchestra (1950) is an established masterpiece by one of the most significant (but little known) postwar German composers. Hungarian Peter Eötvös has emerged as a strong and original voice of the late twentieth century, and his Cap-Ko (2005), a concerto for acoustic piano, keyboard, and orchestra, deserves a place beside Zimmermann's concerto. Czech composer Martin Smolka's Walden, the distiller of celestial dews (2000), for chorus and percussion may not prove to have the durability of the other pieces, but it exposes a creative imagination with the potential for more substantial work……..Stephen Eddins @ AllMusic.com