Def Leppard dove into the classic-albums-in-their-entirety trend via an 11-date residency at the Hard Rock in Las Vegas, performing 1987's Hysteria from start to finish, adding other classic hits to round out the set. More interestingly, taking a tip from Joe Elliott's Mott the Hoople tribute side project the Down 'n' Outz, Def Leppard opened for themselves, performing as Ded Flatbird and running through rarities and early hits that they have rarely played live in the years since becoming superstars…
When Coldplay sampled Kraftwerk on their third album, X&Y, it was a signifier for the British band, telegraphing their classicist good taste while signaling how they prefer the eternally hip to the truly adventurous; it was stylish window dressing for soft arena rock. Hiring Brian Eno to produce the bulk of their fourth album, Viva la Vida, is another matter entirely. Eno pushes them, not necessarily to experiment but rather to focus and refine, to not leave their comfort zone but to find some tremulous discomfort within it. In his hands, this most staid of bands looks to shake things up, albeit politely, but such good manners are so inherent to Coldplay's DNA that they remain courteous even when they experiment…
Over the years, El Chicano has often been compared to Santana and, to be sure, there are a lot of parallels. Both are from California, both are led by Mexican-Americans, both have recorded in English as well as Spanish, and both have favored a very eclectic and unpredictable mixture of rock, soul, funk, jazz, blues, and Afro-Cuban salsa.
After creating a buzz in East L.A. in the late '60s, El Chicano signed with MCA in 1970 and recorded its debut album, Viva Tirado. The instrumental title song, which was written by jazz pianist Gerald Wilson, was released as a single and became El Chicano's biggest hit; the recording reached number 28 on Billboard's pop singles chart and number 20 on its R&B singles chart. On regional L.A. charts, "Viva Tirado" spent about 12 weeks at number one…
”Viva Last Blues” is an album by Palace Music, featuring Will Oldham on vocals and guitar. The album was recorded by Steve Albini and was released in 1995 on Drag City. The album was listed as #60 on Pitchfork Media's "Top 100 Albums of the 1990s".
Viva Caruso is easily one of tenor saxophonist Joe Lovano's most ambitious and enjoyable recordings. Much like Terence Blanchard's Jazz in Film or Uri Caine's Urlicht/Primal Light, Viva Caruso finds the reedman adapting orchestral melodies and harmonies to a jazz format. Inspired after reading a biography about Italian tenor and opera legend Enrico Caruso, Lovano spent most of 2000 through 2001 researching Caruso's music and developing this project. There is a progressive, third stream appeal to Viva Caruso, with the various instruments laying down intricate counter-melodies and liquid, pulsating rhythms. For example, "Vesto La Giubba" from Pagliacci is slowed down here into a kind of folk-jazz meditation, not unlike something Dave Douglas' Tiny Bell Trio might do. Likewise, "Campane a Sera" features a pretty flute introduction to a very mid-'50s, Stan Kenton-style arrangement, and Gerald Wilson could very easily have scored "Soltano a Te" with its characteristically West Coast, neo-phonic horn sounds.
A unique compilation of : popular French, Portuguese (fado) and Spanish music recorded in Sydney by Australia's best exponents of popular International music. Featuring delightful multilingual vocals plus French accordion and Gypsy guitar solos…
As Roxy Music took an extended hiatus, the live album Viva! was released. Comprised of material recorded on tours from 1973, 1974, and 1975, Viva! is a tough, powerful document of Roxy at the peak of their live powers, featuring a fine cross-section of their best work.
Marco Mendoza released his long-awaited new solo album, "Viva La Rock", on March 2, 2018 via Mighty Music. The disc was recorded in Copenhagen with the multi-talented producer and guitar player Søren Andersen (Glenn Hughes, Mike Tramp) at the helm. The Søren/Mendoza collaboration proved to be the right way forward with the chemistry exploding in the studio, writing and producing some of the finest new rock songs that are screaming out to be heard through a radio somewhere in the world.