The Besnard Lakes have passed through death and they're here to tell the tale. Nearly five years after their last lightning-tinted volley, the magisterial Montreal psych-rock band has sworn off compromise, split with their long-standing label, and completed a searing, 72-minute suite about the darkness of death and the light on the other side.
Live aus dem Cascade Beat Club in Köln is one of the rarest albums by a hit British Invasion band released near the peak of its popularity. Its existence is unknown even to most Swinging Blue Jeans fans, and the material doesn't even appear on the otherwise thorough four-CD set of their 1960s recordings, Good Golly, Miss Molly! The EMI Years 1963-1969…
Sam Shepherd aka Floating Points has announced his new album Cascade will be released on 13 September via Ninja Tune. Along with the announcement Shepherd has shared lead single 'Key103' which comes with visuals continuing his ongoing collaboration with Tokyo based artist Akiko Nakayama.
Cascade was originally released Oct 1993 the first single from the now highly regarded Lifeforms album. Cascade went on to chart in the UK top 40 at No.27 and has continued to be regarded as an early piece of classic Electronica. Twenty-seven years later FSOL rebuild and create ten new compositions inspired by the original. The familiar electronic swamp of FSOL and engineer Yage can be heard as the tracks journey through fragmented melodies of the original composition.
It’s easy to be skeptical of live records. Oftentimes they’re put out by labels looking to bring in a little extra money between releases while a band is plugging away on a new record. For Finnish prog metal disciples Amorphis, however, they saw it as a way to give fans not only a look at the band at its live best, but also a candid look behind the scenes…
The latest by veteran Brock Van Wey’s renowned and illustrious alias, bvdub demonstrates aural patience that gradually unravels throughout this two and a half hour long player. Brock’s grandiose approach to sound creation has been incredibly influential for both the listener and fellow artists, acknowledging that only few can execute the open spaces and cerebral attentiveness that Van Wey illustrates so effortlessly. ‘Slowly Shifting Lakes’ is the manifestation of liberation not limitation, exploring the malleability of time.