This double-disc reissue documents one of the more curious careers in country music. Both 1978's White Mansions and 1980's The Legend of Jesse James are Southern song cycles that were conceived by Britain's Paul Kennerley, then an unknown songwriter who somehow recruited a high-profile cast for each. A Civil War saga from the Southern perspective, White Mansions suffers from caricature and cliché but benefits from signature contributions by Waylon Jennings, Jessi Colter, and Eric Clapton. Jesse James has more focus and narrative momentum, with Levon Helm, Johnny Cash, and Emmylou Harris in lead roles. Though the albums are more noteworthy for artistic ambition than memorable material, Kennerley subsequently became a successful Nashville songwriter.
A companion to the 2015-2016 Country Music Hall of Fame exhibit of the same name, Dylan, Cash and the Nashville Cats: A New Music City is a double-disc history of the moment when country met rock – or when rock met country, as the case might be. In this particular reading of country-rock history, the movement begins in 1966, when Bob Dylan headed down to Nashville to cut Blonde on Blonde with a crew of the city's renowned studio musicians. Prior to that, country could be heard in rock & roll mainly through rockabilly, a music that functions as prehistory on this collection, present through the presence of Sun veteran Johnny Cash but not much else.
These 20 CDs comprise over 25 hours of music captured on-stage in the 1940s, ‘50s, and ‘60s at KWKH’s legendary Louisiana Hayride radio show. Staged live in Shreveport, the Hayride featured national country music stars, soon-to-be legends, regional break-outs, and talented newcomers. Most of this music has not been heard since the day it was broadcasted.
In the early to mid-1960s in Australia, the landscape was rapidly changing - the Holden now had serious competition from newcomers the Ford Falcon and Chrysler Valiant. Householders were saving and buying television sets - and Top 40 radio along with local record shops were doing big business. Another Saturday Night - 60s Giants of The Jukebox, put together by compilation producer Brent James takes us back to that booming period just prior to - and at the start of the 'British Invasion'. A 2CD set superbly mastered with State by State Australian Chart details along with extensive liner notes, the set features local chart hits from Tommy Roe, Johnny O'Keefe, Rick Nelson, Bobby Fuller, The Delltones, Jumpin' Gene Simmons, Mike Sarne, Elvis Presley, Del Shannon and many others who set the stage the for the hits that were to come.
The 109 cuts in this box set document the evolution of bluegrass from its roots in early 20th-Century mountain string bands. Before the set ends in 1950, Bill Monroe, followed shortly thereafter by the Stanley Brothers and Flatt & Scruggs, has formalized a genre – it had yet to be called "bluegrass" – from which formula, more than half a century later, performers within the genre depart at their peril. The songs (and occasional instrumentals) are well chosen, and the sound quality is cleaner and sharper than one would expect from vintage recordings, some going back to the late 1920s.