Cat Stevens Majikat: Earth Tour 1976 (2004)

Even as a serious-minded singer/songwriter, Cat Stevens never stopped being a pop singer at heart, and with Teaser and the Firecat he reconciled his philosophical interests with his pop instincts. Basically, Teaser's songs came in two modes: gentle ballads that usually found Stevens and second guitarist Alun Davies playing delicate lines over sensitive love lyrics, and uptempo numbers on which the guitarists strummed away and thundering drums played in stop-start rhythms…

Mona Bone Jakon only began Cat Stevens' comeback. Seven months later, he returned with Tea for the Tillerman, an album in the same chamber-group style, employing the same musicians and producer, but with a far more confident tone. Mona Bone Jakon had been full of references to death, but Tea for the Tillerman was not about dying; it was about living in the modern world while rejecting it in favor of spiritual fulfillment. It began with a statement of purpose, "Where Do the Children Play?," in which Stevens questioned the value of technology and progress. "Wild World" found the singer being dumped by a girl, but making the novel suggestion that she should stay with him because she was incapable of handling things without him…

Completists will be happy to own many of the rarities on this four-disc set, including Stevens's first demo session, an unreleased 1970 duet with Elton John, a cover of Fats Domino's "Blue Monday," and several choice live cuts from the late '70s. And it's nice to have an overview of the artist's entire career–from late '60s pop-star wannabe to '70s folk-rock superstar–in one place. But the difference between early Cat Stevens (despite composing hits for others) and post-Tea for the Tillerman Stevens is substantial. The two follow-up LPs were part of a trilogy of brilliance–both musically and lyrically–and any Stevens collection must start there. Nevertheless, surprises and some gems are to be found throughout all four discs–even his most recent recording (as Yusuf Islam) isn't bad. This box set also offers a choice opportunity to reassess a deserving career. (All royalties go to New York City relief victims and orphans and homeless families in underdeveloped countries.)

Cat Stevens was one of the most popular artists of the '70s. Mobile Fidelity Sound Lab is very proud to present this numbered, limited-edition 3-disc box set containing the hard-to-find Izitso and two titles exclusive to Mobile Fidelity: Back To Earth and Numbers.
Numbers (1975). Subtitled "A Pythagorean Theory Tale," Numbers was a concept album relating to a faraway galaxy, a planet called Polygor, a palace, and its people, the Polygons. The songs presumably told the tale, but as with so many concept albums, listening to Numbers was like hearing a Broadway cast album without having seen the show - something seemed to be going on, but it was hard to tell what…

Cat Stevens’ 1971 album Teaser and the Firecat will be reissued in November across five physical formats, including TWO super deluxe editions. The classic album includes songs such as ‘Moonshadow’, ‘Peace Train’, ‘Morning Has Broken’ and ‘The Wind’. It has been remastered at Abbey Road Studios, overseen by original album producer, Paul Samwell-Smith and as with previous reissues, an extensive super deluxe edition is the premium offering.

Cat Stevens quietly retired from his career as a pop star after the release of 1978's Back to Earth to pursue a spiritual path. Stevens became a devout Muslim and adopted the name Yusuf Islam, quietly making spiritually oriented recordings but avoiding the mainstream, especially after the controversy that followed his comments about the fatwa declared against author Salman Rushdie in 1989. However, Yusuf has been quietly inching back into the public eye since he released the album An Other Cup in 2006 and set out on an extensive concert tour documented on the 2009 live disc Roadsinger. Released in 2014, Tell 'Em I'm Gone finds Yusuf in part paying homage to the blues and R&B sounds that inspired him as a young man while also looking back to the canny mixture of pop and folk that informed his best work of the '70s…

It is impossible to compile a single-disc greatest-hits compilation for Cat Stevens that will come close to satisfying all of his admirers. The Very Best of Cat Stevens is the fifth major attempt to do so and, like its predecessors, it is challenged by its subject's success. Remember Cat Stevens: The Ultimate Collection is the longest of the five (24 tracks) and may be the most comprehensive. But The Very Best of Cat Stevens, released just a year later, has several advantages that make it more appealing. To begin with, it is the only compilation to sequence chronologically songs from every one of Stevens' albums, including the experimental Foreigner.

It is impossible to compile a single-disc greatest-hits compilation for Cat Stevens that will come close to satisfying all of his admirers. The Very Best of Cat Stevens is the fifth major attempt to do so and, like its predecessors, it is challenged by its subject's success. Remember Cat Stevens: The Ultimate Collection is the longest of the five (24 tracks) and may be the most comprehensive. But The Very Best of Cat Stevens, released just a year later, has several advantages that make it more appealing. To begin with, it is the only compilation to sequence chronologically songs from every one of Stevens' albums, including the experimental Foreigner.

Cat Stevens‘ Mona Bone Jakon and Tea for the Tillerman albums will both be reissued as extensive super deluxe edition box sets in December.

Yusuf Islam, commonly known by his former stage name Cat Stevens, is a British singer-songwriter, multi-instrumentalist, humanitarian, and education philanthropist. His 1967 debut album reached the top 10 in the UK, and the album's title song "Matthew and Son" charted at number 2 on the UK Singles Chart. His albums Tea for the Tillerman (1970) and Teaser and the Firecat (1971) were both certified triple platinum in the US. His musical style consists of folk, pop, rock, and Islamic music. His 1972 album Catch Bull at Four spent three weeks at number one on the Billboard 200, and fifteen weeks at number one in the Australian ARIA Charts. He earned two ASCAP songwriting awards in 2005 and 2006 for "The First Cut Is the Deepest", and the song has been a hit for four different artists.