Cat in The Agraharam

The members of Explosions In The Sky played their first show, at the University of Texas’ student radio station, on July 4, 1999, under the short-lived moniker, Breaker Morant. A year later, they recorded their first album, How Strange, Innocence, over the course of two days, and made 300 CD-R copies to sell at shows and give to friends in their hometown of Austin, TX.

When Henry Purcell wrote his one and only opera "Dido and Aeneas" in the second half of the seventeenth century, there was no existing opera tradition in England. With a libretto based on Virgil’s Aeneid and its music stylistically close to and derived from the typically English ‘Masque’ form, Purcell created a monumental baroque opera. On this 1970 multi-channel Philips Classics recording, Dido is interpreted by soprano Josephine Veasey. The Academy of St Martin in the Fields and the John Alldis choir are conducted by Sir Colin Davis. The recording has been remastered in 2015 and is now re-released in Pentatones’s Remastered Classics series, which finally gives it the chance to expose its magnificent sound quality.

Instructor : Tawny Janae & Kupah James

As Soviet Communism dissolved it was replaced in the Caucasus by nationalism enabling the Republics of Armenia, Azerbaijan and Georgia to obtain independence: Chechenya is still fighting on. War between Armenia and Azerbaijan started immediately over the Azeri administered Nagorno-Karabakh and Nakhicheven enclaves within Armenia, which has already cost over 30,000 lives, and displaced a million people. Warlord-ridden Georgia erupted into civil war for central power, while the countryside lay in the grip of ethnic groups and bandit gangs, its Muslim Abkhazia province, aided by Russians, fought a three-year separatist war that remains a stalemate.

Academy of St. Martin in the Fields A small orchestra specializing in music of the Baroque and Classical eras, the Academy of St. Martin in the Fields became one of the most popular ensembles in the entire field of classical music, making albums that topped classical charts and even made an impact in pop. The group's seamless sound was identified in the minds of many listeners with that of Baroque music itself. The Academy of St. Martin in the Fields (the name has been spelled both with and without the hyphens, and with and without the period after "St") was formed in 1958 by violinist Neville Marriner, who was interested in exploring the then largely new field of Baroque music with a group of other musicians. Performing without a conductor until market forces dictated that Marriner take the post, the group played its first concert on November 13, 1959, at the Church of St. Martin-in-the-Fields and took its name from that venue. The orchestra began recording in 1961 on the L'Oiseau-Lyre label, championed by its founder, Louise Hanson-Dyer, and at first, finding more success with recordings than with concert appearances.

This book presents a social science perspective on drought and water scarcity in the UK. It puts forward a narrative of how different stakeholders manage drought and water scarcity, how they generate and manage knowledge and how power relationships between stakeholders shape drought and water scarcity management.

The album, which charted at #2 in the UK, arrived with aplomb as the band’s new music exploded over the airwaves, and saw exquisite performances on BBC’s Later…with Jools Holland. OMD have sold an astonishing 25 million singles and 15 million albums, which has established them as electronic synthesiser pioneers and one of Britain’s best-loved pop groups. Their 13 albums include reissued Orchestral Manoeuvres In The Dark (1980), Organisation (1980), Architecture & Morality (1981) and Dazzle Ships (1983).

Acis and Galatea (HWV 49) is a musical work by George Frideric Handel with an English text by John Gay. The work has been variously described as a serenata, a masque, a pastoral or pastoral opera, a "little opera" (in a letter by the composer while it was being written), an entertainment and by the New Grove Dictionary of Music as an oratorio. The work was originally devised as a one-act masque which premiered in 1718.

Handel wrote all this ballet music for operas, new or revived, in which Marie Salle was to dance while she was in London in the mid-1730s. She will not, of course, have graced all these pieces; she was famed for expressiveness rather than virtuosity, and presumably delegated the very quick and exciting dream music in Alcina to someone else. But slower pieces predominate and they show that Handel was fully appreciative of her charms. Gardiner uses a robust orchestra (6.6.4.4.2) which allows for a strong bass, appreciated by dancers today and no doubt then as well.