Cekaj Me, ja Sigurno Necu Doci Wait For Me And I Will Not Come (2009)

Chuck Berry - Rock And Roll Music: Any Old Way You Choose It (2014) {16CD Box Set Bear Family Records}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 6.53 Gb | MP3 @320 -> 2.90 Gb | Artwork @ 300 dpi (jpg) -> 37 Mb | 5% repair rar
© 2014 Bear Family Records | BCD 17273 PL
Rhythm & Blues / Blues / Rock & Roll / Early R&B

Chuck Berry fanatics, your ship has come in, and it’s the Queen Mary — or maybe we should call it the Queen Maybellene. As you’d expect from the Bear Family label, which specializes in gargantuan reissues, this 16-CD, 396-song box doesn’t simply span Berry’s career, it embraces virtually every musical note the man has ever issued. You’ll find all of his released album tracks and singles, starting with an obscure 1954 recording and including everything from the Chess, Mercury and Atco labels, plus every surviving alternate take. Also here are five CDs’ worth of concert performances from 1956 to 1972.

It's telling that Do What You Want Be What You Are, Sony/Legacy's comprehensive, career-spanning Daryl Hall and John Oates box set, takes its title from a moderately successful mid-'70s single from the duo, written and recorded just as the group was hitting their creative stride. The slow Philly groove of "Do What You Want Be Who You Are" may have hearkened back to the duo's soul roots, side-stepping some of the outré pop experiments they had done just two years earlier on War Babies, but Hall & Oates took the title's sentiment to heart, blurring boundaries between rock, pop, and soul in a way that wasn't always easy to appreciate at the peak of their popularity in the '80s…

Moby's most unified and understated album, and all the better for it, Wait for Me is a morose set of elegantly bleary material, quite a shift from the hedonistic club tracks of Last Night. Dominated by instrumentals, "Shot in the Back of the Head" is the most evocative of the bunch, seemingly pulled from an unreleased David Lynch film scored by the Afghan Whigs circa Gentlemen - a lament from a dustbowl, full of mournful slide guitar and dewy electric piano. Other than "Mistake" - a glum neo-post-punk rave-up that, despite its cathartic release, remains downcast - Moby leaves the vocals to a series of women (neighborhood chums, apparently) who each contribute to one song. The smoky 3-a.m. gospel whispers from throwback soul singer Leela James on "Walk with Me" steal the show.

Jonathon was a huge man, very huge according to the people who met him, he also had a huge voice and wide open way of musical thoughts. His roaring theatrical version of "Sympathy For The Devil" made an effect by the time it's release, but couldn't drift the album to make the splatter that he expected and the sales stood in low numbers. That of course means nothing at all, the rest album keeps the high stature, from the opening "In Quest Of Unicorn" to his aspect of the Bee Gees "To Love Somebody" we are tasting some great vocal work, supplemented by musicianship which is practically beyond reproach.