Tonight at Noon is, essentially, a compilation album - although not in the usual sense. There are two distinct sessions that make up its contents: a 1957 date with Jimmy Knepper on trombone, drummer Dannie Richmond, saxophonist Shafi Hadi, and pianist Wade Legge, and a 1960 session with Booker Ervin, Roland Kirk on saxes, Knepper, bassist Doug Watkins, Mingus on piano, and Richmond. The feel of the two sets is different to be sure, but this is far from throwaway material; the tunes here are actually studio outtakes from the recordings for The Clown and Oh Yeah…
This set is the finest recording by one of Charles Mingus' greatest bands, his sextet with Eric Dolphy (on alto, bass clarinet, and flute), tenor saxophonist Clifford Jordan, trumpeter Johnny Coles, pianist Jaki Byard, and drummer Dannie Richmond. Taken from their somewhat tumultuous but very musical tour of Europe, most of these rather lengthy workouts actually just feature a quintet because Coles took sick (he is only heard on "So Long Eric," which here is mistitled "Goodbye Pork Pie Hat"), but the playing is at such a high level that the trumpeter is not really missed. "Orange Was the Color of Her Dress" is given definitive treatment, and the nearly 29-minute "Fables of Faubus" and Mingus' relatively brief feature on "Sophisticated Lady" are impressive, but it is the passionate "Meditations on Integration" (an utterly fascinating performance) and "Parkeriana"…
The complex music on this LP finds bassist Charles Mingus looking toward contemporary classical music in some of the rather cool-toned arrangements. It was not until later in 1955 that he found the right combination of influences in which to express himself best but these slightly earlier performances have their moments. Four of the selections feature tenor-saxophonist Teo Macero, pianist Wally Cirillo, drummer Kenny Clarke and Mingus in a quartet while the other five tracks showcase a sextet with Macero, George Barrow on tenor and baritone and clarinetistaltoist John La Porta.
The Clown was Charles Mingus' second masterpiece in a row, upping the already intense emotional commitment of Pithecanthropus Erectus and burning with righteous anger and frustration. With Pithecanthropus, Mingus displayed a gift for airtight, focused arrangements that nonetheless allowed his players great freedom to add to the established mood of each piece. The Clown refines and heightens that gift; instead of just writing heads that provide launch points for solos, Mingus tries to evoke something specific with every piece, and even his most impressionistic forays have a strong storytelling quality.
Tonight at Noon: Three of Four Shades of Love marks the 80th anniversary of Charles Mingus' birth and is the seventh recording in a series that pays tribute to his music. The CD features the talents of the Mingus Big Band, a 14-piece rotating ensemble launched in 1991 by the widow of the composer/arranger/bassist, Sue Mingus. The thematic focus of the CD is love and its ten love songs also mark the debut of the Charles Mingus Orchestra, which is featured on four of the songs. The previously unreleased "Love's Fury" features a stellar arrangement by Syl Johnson as well as the very lyrical compositions Charles Mingus never quite received recognition for…
Tonight at Noon: Three of Four Shades of Love marks the 80th anniversary of Charles Mingus' birth and is the seventh recording in a series that pays tribute to his music. The CD features the talents of the Mingus Big Band, a 14-piece rotating ensemble launched in 1991 by the widow of the composer/arranger/bassist, Sue Mingus. The thematic focus of the CD is love and its ten love songs also mark the debut of the Charles Mingus Orchestra, which is featured on four of the songs. The previously unreleased "Love's Fury" features a stellar arrangement by Syl Johnson as well as the very lyrical compositions Charles Mingus never quite received recognition for…
The Lost Album From Ronnie Scott's is an unreleased live recording of jazz icon Charles Mingus from Ronnie Scott's jazz club in London captured in August 1972. It features alto saxophonist Charles McPherson, tenor saxophonist Bobby Jones, trumpeter Jon Faddis, pianist John Foster, and drummer Roy Brooks.