In spite of the electric guitars, which don't really fit that well, the title track is one of the more successful Charles Mingus efforts at extended composition. The list of section titles for the work is a valuable document in itself; it includes the "Super Bebop Blues (Check Bird Out)" with George Coleman and the dudes who are advancing group improvisation, while USA press ignores them. And still does. Not his best work, but not without merit.
Charles Mingus did not perform on the final sessions he made for Atlantic toward the end of his life. Too ill with ALS to pick up his bass, he nonetheless was a powerful presence in the studio. The arrangements and orchestrations were realized by trumpeter Jack Walrath based on Mingus's tapes and piano sketches. The huge band can get a bit unwieldy, and the arrangements, which feature a solo from Larry Coryell, do tend to pander a bit to the fusion audience. In spite of these drawbacks, the half-hour "Three Worlds of Drums" is great, overdone though it may be.
The first of many live recordings made of Mingus's touring band of 1964, most in Europe, it's got one of his strongest lineups: Eric Dolphy (alto saxophone, bass clarinet, flute), Johnny Coles (trumpet), Clifford Jordan (tenor saxophone), Jaki Byard (piano), and Dannie Richmond (drums). Every performance on the tour is worth listening to. The only knock against this disc is its 45-minute length.
At the finale of the "Musikfest Berlin" 2022, the musicians of the Deutsche Oper Berlin and their BigBand performed “Epitaph” as a tribute to the 100th birthday of Charles Mingus.
At the finale of the "Musikfest Berlin" 2022, the musicians of the Deutsche Oper Berlin and their BigBand performed “Epitaph” as a tribute to the 100th birthday of Charles Mingus.