When Art Blakey founded the Jazz Messengers, his initial goal was to not only make his mark on the hard bop scene, but to always bring younger players into the fold, nurture them, and send them out as leaders in their own right. Pianist Horace Silver, trumpeter Clifford Brown, and saxophonist Lou Donaldson were somewhat established, but skyrocketed into stardom after this band switched personnel. Perhaps the most acclaimed combo of Blakey's next to the latter-period bands with Lee Morgan and Wayne Shorter, the pre-Messengers quintet heard on this first volume of live club dates at Birdland in New York City provides solid evidence to the assertion that this ensemble was a one of a kind group the likes of which was not heard until the mid-'60s Miles Davis Quintet…
A great set of soul jazz from McPherson – recorded live, with a rolling groove that's in the Blue Note mode of the mid 60s – but even more open overall! The group's got a lot of hometown talent from McPherson's native Detroit – including Barry Harris on piano, Lonnie Hillyer on trumpet, and Ray McKinney on bass – and the mighty Billy Higgins handles the drums, always with a lean and fluid groove that works well with the extended energy of the set! McPherson's horn is sometimes a bit overshadowed by Hillyer's trumpet on the head arrangements – but given how much we like Lonnie, that's hardly a bad thing – and Charles more than comes into his own on the solos!
It is difficult to know where to begin when approaching an artist as wonderful as Ella Fitzgerald, especially when covering a revered recording like Sings the Irving Berlin Song Book from the late '50s. This set includes two CDs with 32 songs chosen from Berlin's collection of nearly 800 songs. These selections are perfectly suited for Fitzgerald's voice and her romantic sensibility; they are happy, occasionally sad, and full of swinging rhythm. A few of these songs - "Cheek to Cheek," "Puttin' on the Ritz," and "Blue Skies" - will be most familiar; others, "Top Hat, White Tie, and Tails," "Russian Lullaby," and "All By Myself" are as memorable but perhaps less known. Choices like "Isn't This a Lovely Day?" feature everything a listener would want in a song: intelligent lyrics, memorable melodies, and a strong emotional center…
When Analog Africa founder Samy Ben Redjeb arrived in Mogadishu in November of 2016, he was informed by his host that he would have to be accompanied at all times by an armed escort while in the country. The next morning, a neighbour and former security guard put on a military uniform, borrowed an AK-47 from somewhere and escorted him to Via Roma, an historical street in the heart of Hamar-Weyne, the city's oldest district. Although previous Analog Africa releases have demonstrated a willingness to go more than the extra air-mile to track down the stories behind the music, the trip to Mogadishu was a musical journey of a different kind. It was the culmination of an odyssey that had started many years earlier.
Keith Jarrett (born May 8, 1945) is an American pianist and composer who performs both jazz and classical music. …
One of the best British Invasion bands, the Hollies were rightfully famous for their stellar harmonies and keen sense of pop songcraft. The Hollies originally inspired by the harmony rich sound of Buddy Holly, they soon became artistic contemporaries of The Beatles and The Rolling Stones, with their distinctive sound which was all part of the British Invasion of the US in the 60's.