Cheating Housewives From Volume 95 2015 in Pdf

This limited-edition version of The Cutting Edge 1965-1966 is where Bob Dylan's Bootleg Series meets Sony's Copyright Extension series…

Following the 2013 release of Betty’s S.F. Blends, Volume One and their third full-length album, 2014′s Phosphorescent Harvest, Chris Robinson Brotherhood are back with an exciting double-LP: Betty’s Blends, Volume Two: Best From the West. Taking cues from Volume One, the CRB once again joined forces with Betty Cantor-Jackson, legendary archivist for the Grateful Dead, and allowed her to curate the new live album.

John Zorn & The Spike Orchestra - Cerberus: Book Of Angels, Volume 26 (2015) {Tzadik TZ 8338}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 400 Mb | MP3 @320 -> 135 Mb | Artwork | 5% repair rar
© 2015 Tzadik | TZ 8338 | Tzadik Archival Series
Jazz / Modern Big Band / Klezmer / Modern Jazz / Avant-Garde Jazz

This is the Big Band Masada project you’ve been waiting for. Led by composers Sam Eastmond and Nikki Franklin, The SPIKE Orchestra is a large ensemble that draws on a wide range of influences including Duke Ellington, Frank Zappa, Carl Stalling, Zorn and more. Melding jazz, rock, klezmer, cartoon and the avant-garde into a compelling and cohesive vision, this new Angels installment is one of the most imaginative and manic masterpieces in the whole series. An outrageous and explosive swinger that will thrill even the most hardened skeptic. Essential.

Handel’s solo keyboard music has for too long been overshadowed by his operas, oratorios, and orchestral music. This comparative neglect seems unjust in view of the considerably large quantity of keyboard music which exists amongst his massive output. This third double CD set completes Gilbert Rowland’s survey of these groundbreaking works which began to free the form from the formal constraints of “Allemande, Courante, Sarabande, Gigue”. Gilbert Rowland first studied the harpsichord with Millicent Silver. Whilst still a student at the Royal College of Music, he made his debut at Fenton House 1970 and first appeared at the Wigmore Hall in 1973.

Barry Douglas’s decision in his Brahms series to mix and match pieces intuitively, rather than employing a strict sequence of genre or chronology, has given this series a pleasing personal slant, and Vol. 5 is no exception. Building the programme around three very different sets of variations, Douglas intersperses the more substantial works with palate-cleansing intermezzos, two little-known early Sarabandes – apparent fugitives from an unfinished Baroque-inspired suite or two – and one of Brahms’s not-so-jokey scherzos, the rugged Op. 4. Indeed, if you like your Brahms super-rugged, this CD will not disappoint. Douglas’s powerful tone and serious demeanour captures the composer’s uncompromising side; yet there’s a sense of flow that makes the intermezzos generous and warm without veering towards the emotionally indulgent. The Variations on a Hungarian Song and the Hungarian Dances are served on the bone with sour cream aplenty.

Mega-awesome, brain-damaging third disc from Grooveyard Records bad-ass, heavy-duty, retro-70s heavy guitar "tribute" project from Sweden featuring Janne "Rock Machine" Stark and an amazing cast of outstanding, killer "special guest" axerippers and vocalists that truly deliver on a solid mission to Keep the Rock alive. Includes 12 tracks (78 minutes) of Classic, over-the-top, obscure, powerful, intense, retro-70s, blues-based, heavy guitar riffage/mojo that will kick your ass & rock your world.