The Warehouse is the official fan association for Dave Matthews Band. Founded on December 4, 1998, Warehouse gives fan early access to concert tickets, exclusive CDs and merchandise to its members.
Fourth production of the ALEA label, second volume of Pierre de Bethmann’s ESSAIS, two years and nearly sixty concerts after the first volume was released in 2015. With Sylvain Romano on the double bass and Tony Rabeson on the drums, the trio pursues its journey, gleaning ideas from every new shared experience, continuing its exploration of a variety of musical traditions, subjecting each member’s choices to different arrangements, and above all to the spirit of the moment. The same spirit which led the three musicians back to the Recall Studio in June 2017 to record their new album, in a setup drawing each time closer to live conditions, in an exceptional setting capable of suspending time and capturing the raw energy of musicians only too eager to play.
UB40 have a catalogue of poignant original material and era-defining cover versions that make the band so loved. In 2014, a 20-track collection ‘Red Red Wine: The Collection’ was released and enjoyed incredible success. Four years on, UMC brings you ‘Red Red Wine: The Collection – volume 2’ a carefully compiled sequel to the original release which features 20 further recordings by the chart-topping Birmingham outfit. Featured here is a selection loaded with chart successes, including some of their undisputed highlights – ‘Rat In Mi Kitchen’, ‘Sing Our Own Song’, a much-loved extended version of their UK Chart No. 1 ‘Red Red Wine’ as well as great live versions of ‘Food For Thought’ and ‘I Got You Babe’. It is a fine, unmistakable body of work that has been part of the fabric of the UK music scene for over three decades.
The Warehouse is the official fan association for Dave Matthews Band. Founded on December 4, 1998, Warehouse gives fan early access to concert tickets, exclusive CDs and merchandise to its members.
There were a lot of heavy metal bands in the 1980s and there were a lot of pop bands too; there weren't many who combined the two styles as well as Def Leppard did. This is a statement that the simply titled The CD Collection, Vol. 1 proves over and over during the course of its playing time. Made up of the four albums the band released during the 1980s, a live show recorded in 1983 (which was issued as part of the deluxe edition of Pyromania), a disc of B-sides and rarities, and a mini-disc of the band's self-titled 1979 EP, the set is filled with razor-sharp riffs, hooky choruses, thudding backbeats, inferno-hot guitar soloing, keening vocal harmonies, and the inimitable yelp of singer Joe Elliott as it runs through their early career.
Volume 2 of Discovering the Classical String Trio is a continuation of The Vivaldi Project's exploration of the 18th-century string trio, of its relationship to the earlier Baroque trio sonata (as exemplified by Vivaldi and contemporaries) and of its role as an important genre in its own right, side-by-side with the emerging string quartet. The string trio, although largely overlooked during the past century, was manifestly popular in its day at its compositional peak (c. 1760-1770) out-publishing the string quartet by a ratio of more than five to one! These forgotten works, some 2000 string trios by more than 200 composers, reveal not only a wonderful amalgam of instrumental techniques and styles, but also a significant, untold part of chamber music history.
Five years after the highly-praised release of Volume 3, Sir Andrew Davis returns to his exploration of Holst’s orchestral works with the brilliant BBC Philharmonic, a series initiated almost ten years ago by the late Richard Hickox, then taken over by another expert in British repertoire. This selection of orchestral works by Holst provides a remarkable overview of his career, ranging from such early works as A Winder Idyll – composed in 1897 when he was still studying at the Royal College of Music – to the Scherzo of a symphony on which he was working towards the end of his life.