This is John Coltrane from the period when he was a member of Miles Davis' legendary 1950s quintet, accompanied by fellow quintet members Red Garland and Paul Chambers. This is Coltrane in a relaxed bop mode, making some swinging, relaxed jazz in the vein of Sonny Rollins and Stan Getz (the latter in his more boppish mode). This is not the fire-breathing saxophonist of the mid-'60s, but a player who was beginning to push against the boundaries, all the while playing with thoughtful, imaginative lyricism. It's a set of little-known pop tunes of the era, with the exception of Jackie McLean's "Little Melonae." Anyone who likes the mainstream jazz of the '50s, or Miles' music of that time, or Coltrane fans who want to hear their idol in an easygoing context, should pick this up.
This two-fer from the excellent Prestige series of two-LP sets features Coltrane at a pair of jam-session-type settings in 1957. He is heard along with fellow tenor Paul Quinichette and Frank Wess on flute and tenor on two long versions apiece of "Wheelin'" and "Dealin" in addition to a fine rendition of "Things Ain't What They Used to Be" and a 15-minute version of "Robbins' Nest." In addition, there are two numbers from a sextet session with trumpeter Bill Hardman and altoist Jackie McLean. Overall the music is not all that essential (since there are so many other Coltrane recordings available) but is quite enjoyable on its own terms and worth picking up.
Excellent early-70's Italian progressive trio (still around today) with classical stylings, featuring keyboards to the fore and a unique dreamy/powerful style. Le Orme was one of the three major Italian groups, the other two being PFM and Banco. This band is usually considered as the Italian Emerson, Lake & Palmer and even Banco del Mutuo Soccorso by the Italian singing. Its music is based upon organ developments and soli reminding Seventies groups which works are essentially built upon keyboards parts.
The band's truly classic period begins with their third next releases. "Uomo Di Pezza" (1972) is one of Le Orme's definitive Italian progressive rock albums…
AVID Jazz continues with its Four Classic Albums series with a finely re-mastered 2CD release from John Coltrane with The Red Garland Trio & Quintet.
Limited edition 5-CD box set containing five classic, influential John Coltrane albums from his Impulse discography.
Each album newly remastered from the original master tapes.
Limited edition 5-CD box set containing five classic, influential John Coltrane albums from his Impulse discography.
Each album newly remastered from the original master tapes.
These two sessions were produced by Lee Kraft in 1957 featuring the inimitable tenor saxophonist John Coltrane in two different formats; a quintet with Donald Byrd, Walter Bishop, Jr., Wendell Marshall and Art Blakey, and a 15-piece big band organized by Blakey. Coltrane was featured prominently in both settings and played exceptionally throughout. While the other soloists were all top-notch musicians, Coltranes compositions and performance clearly stole the show. His solos were powerful and confident, ripping out sequences of 16th note lines that soared over the full range of the horn with complete command.
Now regarded as one of the most iconic figures in jazz history, back in the late 1950s John Coltrane was a regular ""gun for hire"" participating in many sessions by studio-assembled bands led by a wide array of leaders. None were more unusual than the two albums he recorded with Ray Draper, a truly unique exponent of modern jazz tuba. Although still in his teens, the prodigal brassman was already a member of drummer Max Roach's group and had begun to emerge as an equally promising composer, highlighted by the number of themes from his pen featured on these two sets. Recorded during Coltrane's celebrated ""sheets of sound"" period, Draper's brace of albums are noteworthy for their inclusion of three compositions written by the other twin-peak of modern jazz saxophone, Sonny Rollins, two of which Coltrane did not record elsewhere.