Chi Coltrane Essential (2009)

Universal Consciousness was the fifth solo album released by Alice Coltrane in 1971 on Impulse! Records. The Allmusic review by Thom Jurek awarded the album 4½ stars saying "This is art of the highest order, conceived by a brilliant mind, poetically presented in exquisite collaboration by divinely inspired musicians and humbly offered as a gift to listeners. It is a true masterpiece".

Charly's live John Coltrane recordings from '61, '63, and '65 reveal just how much the tenor and soprano saxophonist's playing changed in the first half of the decade: a sonic shift from aggressive tonality to unfettered exploration. While the 1965 disc, Live In Paris, does find Coltrane covering familiar song territory with "Naima," "Impressions," and "Afro Blue," it also shows him dismissing solo structure in favor of volcanic flights. The record features the saxophonist's classic quartet of pianist McCoy Tyner, drummer Elvin Jones, and bassist Jimmy Garrison recorded at the Antibes festival and the Selel Pleyel in Paris; these concerts were not only part of Coltrane's last European tour, but would also mark the beginning of the end for the group (Tyner and Jones, traditionalists at heart, would soon depart in the face of their boss' increasing need for freedom, being replaced by Alice Coltrane and Rahsied Ali respectively)…

John Coltrane's quintet with Eric Dolphy was recorded extensively during their European tour in 1961, with many of the concerts evidently being broadcast and taped by private collectors. The music heard on this two-CD set was previously available from the now-defunct Mag(Luxe) label, containing both shows from Paris in 1961. The sound quality is better than average, though Elvin Jones' drums are the most prominent instrument, but the rest of the band can be heard. Coltrane tends to solo long, not always giving Dolphy and Tyner the room they deserve, though they are effective when featured…

Although seemingly impossible to comprehend, this landmark jazz date made in 1960 was recorded in less than three days. All the more remarkable is that the same sessions which yielded My Favorite Things would also inform a majority of the albums Coltrane Plays the Blues, Coltrane's Sound, and Coltrane Legacy. It is easy to understand the appeal that these sides continue to hold. The unforced, practically casual soloing styles of the assembled quartet – which includes Coltrane (soprano/tenor sax), McCoy Tyner (piano), Steve Davis (bass), and Elvin Jones (drums) – allow for tastefully executed passages à la the Miles Davis Quintet, a trait Coltrane no doubt honed during his tenure in that band.

Lord of Lords, released in 1972, was Alice Coltrane's final album for Impulse! It was the final part of a trilogy that began with Universal Consciousness and continued with the expansive World Galaxy. Like its immediate predecessors, the album features a 16-piece string orchestra that Coltrane arranged and conducted, fronted by a trio in which she plays piano, Wurlitzer organ, harp, and timpani with bassist Charlie Haden and drummer Ben Riley. Riley was familiar with the setting because he had been part of the sessions for World Galaxy. The first two pieces, "Andromeda's Suffering" and "Sri Rama Ohnedaruth" (titled after the spiritual name for her late husband, John Coltrane), are, in essence, classical works. There is little improvisation except on the piano underneath the wall of strings. They are scored for large tone clusters and minor-key drone effects, but also engage in creating timbral overtones.

This album is of historic interest as it comprises the only studio recordings made by the Johnny Hodges band while John Coltrane was a member, most of the other sidemen being former Ellingtonians or guests from Duke Ellington's orchestra. The music is excellent: Johnny Hodges is on superb form throughout; all of Harold Baker's trumpet solos are exquisite, as is Jimmy Hamilton's clarinet playing on "If you were mine",while Louie Bellson demonstrates that he was surely the best drummer ever to play with Ellington.
The CD is marketed under John Coltrane's name. However anyone who buys this record expecting to hear any solos by Coltrane will be disappointed; Coltrane is the one horn player in the band who does not play any solos.

Charly's live John Coltrane recordings from '61, '63, and '65 reveal just how much the tenor and soprano saxophonist's playing changed in the first half of the decade: a sonic shift from aggressive tonality to unfettered exploration. While the 1965 disc, Live In Paris, does find Coltrane covering familiar song territory with "Naima," "Impressions," and "Afro Blue," it also shows him dismissing solo structure in favor of volcanic flights. The record features the saxophonist's classic quartet of pianist McCoy Tyner, drummer Elvin Jones, and bassist Jimmy Garrison recorded at the Antibes festival and the Selel Pleyel in Paris; these concerts were not only part of Coltrane's last European tour, but would also mark the beginning of the end for the group (Tyner and Jones, traditionalists at heart, would soon depart in the face of their boss' increasing need for freedom, being replaced by Alice Coltrane and Rahsied Ali respectively)…