Although it may be difficult to believe now, in the late Sixties and early Seventies Chicago were something of a phenomenon. Their debut LP. b'Chicago Transit Authority', was certified platinum in the US, something no other CBS artist had ever achieved, even though the label boasted such names as Bob Dylan and Simon & Garfunkel. Their second, simply titled 'Chicago', repeated the commercial success of their first, and singles from both sold strongly either side of the Atlantic…
A collection of 80s/ first 90s music videos from AOR band Chicago. The promos of their best known hits and ballads are here included, coming both from the Peter Cetera and the Jason Scheff eras. Among them: 'Hard to Say I'm Sorry', 'Love MeTomorrow', '25 or 6 to 4', 'Will you still love me?', 'You're Not Alone' and 'Chasin' the Wind'.
According to Billboard chart statistics, Chicago is second only to the Beach Boys as the most successful American rock band of all time, in terms of both albums and singles.
At the time of the release of Robert Lamm's debut solo album, Skinny Boy, in 1974, it was easy to think that the singer/songwriter/pianist intended to launch a solo career, even though no announcement was ever made that he was leaving Chicago. The group was at the peak of its popularity at the time, having recently released the third of five consecutive number one albums, Chicago VII.
At the time of the release of Robert Lamm's debut solo album, Skinny Boy, in 1974, it was easy to think that the singer/songwriter/pianist intended to launch a solo career, even though no announcement was ever made that he was leaving Chicago…
One of the most subtly satisfying electric blues albums of the '70s. Fenton Robinson never did quite fit the "Genuine Houserocking Music" image of Alligator Records – his deep, rich baritone sounds more like a magic carpet than a piece of barbed wire, and he speaks in jazz-inflected tongues, full of complex surprises. The title track hits with amazing power, as do the chugging "The Getaway," a hard-swinging "You Say You're Leaving," and the minor-key "You Don't Know What Love Is." In every case, Robinson had recorded them before, but thanks to Bruce Iglauer's superb production, a terrific band, and Robinson's musicianship, these versions reign supreme.
As a present to their fans, particularly the ones on the Internet, the band decided to put out another live album - such live releases now tallying in double figures, unprecedented for any rock band. Unedited, undubbed and with a three-piece horn section blowing in on four tunes at the Olympia in Paris, Deep Purple are in their best habitat - exhibiting raw power, free-for-all jamming and charging into the new numbers culled from Purpendicular. Reinvigorating the classics, namely "Smoke On the Water," "Speed King" and "Highway Star," the veterans still prove they can mess with the best on stage.
Recorded at Focus Studio, Copenhagen, June 18 & 19, 1997. The trio are: Mads Vinding (Bass), Ed Thigpen (Drums), Horace Parlan (Piano).
Horace Parlan overcame physical disability and thrived as a pianist despite it. His right hand was partially disabled by polio in his childhood, but Parlan made frenetic, highly rhythmic right-hand phrases part of his characteristic style, contrasting them with striking left-hand chords. He also infused blues and R&B influences into his style, playing in a stark, sometimes somber fashion. Parlan always cited Ahmad Jamal and Bud Powell as prime influences. He began playing in R&B bands during the '50s, joining Charles Mingus' group from 1957 to 1959 following a move from Pittsburgh to New York…
Natural Boogie is the second studio album released by Hound Dog Taylor and his band The HouseRockers. Released on Alligator Records in 1974, it was the follow up to their 1971 debut album Hound Dog Taylor and the HouseRockers. Natural Boogie was recorded at Sound Studios in Chicago, and produced by Hound Dog Taylor and Bruce Iglauer. It was Taylor's second album, and the last to be released during his lifetime.