Within the last 18 months, Chick Corea has released albums with an eight-piece Latin ensemble (Antidote with the Spanish Heart Band) and a trio (Trilogy 2 with bassist Christian McBride and drummer Brian Blade). On his new album Plays, the live audience is the band. Here I am with my piano," he says in the opening track. "The piano’s tuned up all nice, but we have to tune up. Yeah, we." Corea strikes a middle A. "Ahhh," the crowd sings back with a nervous giggle. G to A. "Aaah-aaah." So on and so forth; he teases them with increasingly complicated phrases, then settles into a lovely medley of Mozart’s Piano Sonata in F and George Gershwin’s "Someone to Watch Over Me." "It feels uncomfortable to just sit up on stage, play and nod at [people]," he says in the Plays press bio. "I like people to feel like they’re in my living room and we’re hanging out."
Three CD box set of Chick Corea’s piano music, reminding us that the distinguished solo piano tradition at ECM started in 1971 with Corea’s spontaneously-recorded volumes of improvisations and jazz tunes (all by Chick save for Monk’s “Trinkle, Tinkle” and Wayne Shorter’s “Masqualero”). The “Children’s Songs”, recorded in 1983, are finely-honed yet playful solo piano miniatures that can be related to the tradition of Bartók’s “Mikrokosmos” and Kurtág’s “Játékok”. Violinist Ida Kavafian and cellist Fred Sherry join Chick for an “Addendum”. Booklet includes liner notes by Chick Corea and Neil Tesser, plus archive photos.
Three CD box set of Chick Corea’s piano music, reminding us that the distinguished solo piano tradition at ECM started in 1971 with Corea’s spontaneously-recorded volumes of improvisations and jazz tunes (all by Chick save for Monk’s “Trinkle, Tinkle” and Wayne Shorter’s “Masqualero”). The “Children’s Songs”, recorded in 1983, are finely-honed yet playful solo piano miniatures that can be related to the tradition of Bartók’s “Mikrokosmos” and Kurtág’s “Játékok”. Violinist Ida Kavafian and cellist Fred Sherry join Chick for an “Addendum”. Booklet includes liner notes by Chick Corea and Neil Tesser, plus archive photos.
Chick is the king of all whup-as-s when it comes to chops among monster jazz pianists. I mean, if you want to talk intense technique on the keys, no one even comes close, not Jarrett, not Mehldau, not Hancock, not Kuhn, not Oscar Peterson or Hiromi and not even Lyle Mays, just listen to the endlessly creative hundred note runs of 64ths he plays with crystal clear tone in improv all over this CD, almost blowing Vinnie out of his seat, time and time again. Now, Vinnie is already a well-known alien from another planet, such a great drummer (some say the best ever, including Zappa, who named him the prize-winner of those he played with in his autobiography) that hardly any player fazes him but Chick is out to teach the 'kid' a lesson and a lesson he does, in fact, impart.