This post-Return to Forever Chick Corea LP is a bit of a mixed bag. Corea is heard on his many keyboards during an atmospheric "The Woods," interacts with a string section on "Tweedle Dee," features a larger band plus singer Gayle Moran on a few other songs and even welcomes fellow keyboardist Herbie Hancock for the "Mad Hatter Rhapsody." The most interesting selection, a quartet rendition of "Humpty Dumpty" with tenorman Joe Farrell set the stage for his next project, Friends. Overall, this is an interesting and generally enjoyable release.
2013's Trilogy showcased the engaging collaboration between pianist Chick Corea, bassist Christian McBride and drummer Brian Blade. Virtuoso leaders in their own right, Corea, McBride, and Blade found common ground as a trio, exploring a mix of sophisticated standards as well as originals culled from Corea's extensive book. The album cracked the Top Ten of the Billboard Jazz Albums chart and earned two Grammys, including for Best Jazz Instrumental Album. The super-trio's follow-up, 2018's Trilogy 2, features further in-concert performances captured during their various tours between 2010 and 2016 in places like Ottawa, Bologna, Zurich, and St. Louis…
Chick Corea may have formed a new band, but still has ghosts from the Return to Forever reunion on his mind. Just check out the cover of The Vigil (named for this group) with its obviously L. Ron-inspired theme and track list ("Galaxy 32 Star 4"?). What year is this? That's not to make light of the music. Corea's international ensemble includes drummer Marcus Gilmore, French bassist Hadrien Feraud, Britain's Tim Garland on reeds and winds, and guitarist Charles Altura.
A key figure in the development of jazz's new direction in the late '60s and '70s (thanks in large part to his contributions to Miles Davis' pioneering fusion work), Chick Corea has since become one of the most influential musicians of the genre. The tracks on EARLY DAYS were recorded in 1969. Around the same time, the Davis Quintet was recording the epochal IN A SILENT WAY and BITCHES BREW. The material here, featuring sidemen Woody Shaw, Jack De Johnette, and Bennie Maupin, explores similarly abstract rhythmic excursions that favor texture and atmosphere over conventional song structure.
Believed to have been composed between August 1775 and January 1777, the Concerto In E Flat Major for two pianos technically counts as being the tenth of Mozart's twenty-seven concertos, that huge and prodigious body that would set the standards for all piano concertos from Mozart's time forward. Although it is not performed with the same frequency as his later works (especially the final eight concertos, 20-27), this "Double" piano concerto, believed to have been composed by Mozart for performance by him and his sister Maria Anna ("Nannerl"), is nevertheless a fascinating experiment of Mozart's, one that requires a pair of solid keyboard virtuosos to do (and for the composer's Seventh piano concerto, you needed three soloists).
Chick Webb was a jazz and swing drummer and bandleader who enjoyed huge success and popularity during the 1930s before his career was tragically cut short by his death from spinal tuberculosis in 1939 at the age of 34. He was renowned for introducing the teenaged Ella Fitzgerald to the scene as his featured vocalist. With a much-admired powerful virtuoso drumming technique, he was a highly influential figure, paving the way for the likes of Gene Krupa, Buddy Rich and Louie Bellson. This 98-track 4-CD collection comprises most of his releases under his own name on the Brunswick, Vocalion, Columbia, Okeh and Decca labels, plus early recordings with the Jungle Band. It contains a significant number of recordings featuring Ella Fitzgerald, who performed on several of his 17 career hits, all of which are included here, most notably the No. 1 A-Tisket, A-Tasket.
'The Montreux Years' showcases some of the legendary pianist's remarkable Montreux Jazz Festival live performances. The set includes brand new liner notes, as well as rare photos from his Montreux shows. Combos featured include Chick Corea Quartet, Chick Corea New Trio, Chick Corea Freedom Band, Chick Corea Akoustic Band, and Chick Corea Elektric Band, plus an appearance by The Bavarian Chamber Philharmonic Orchestra.
Strictly Jive is the Hep label's 25-track salute to Chick Webb, a formidable percussionist who led one of the toughest big bands of the 1930s. Strictly Jive concentrates upon the years 1935-1940, a period of time that represents the second half of the ten-year Webb dynasty. The Chick Webb orchestra was a jazz incubator from which emerged seasoned instrumentalists like Taft Jordan, Sandy Williams, Garvin Bushell, Hilton Jefferson, and Eddie Barefield, as well as future bandleaders John Kirby and Louis Jordan, and renowned composer and arranger Edgar Sampson. Saxophonist Wayman Carver, one of the few flutists in jazz during the 1930s, was a featured soloist with Chick Webb and may be heard piping away in front of the band on Wilbur Sweatman's "Down Home Rag." Most people who have heard of Webb associate him with his star vocalist Ella Fitzgerald, a dynamic woman who assumed leadership of the band after 30-year-old Chick Webb succumbed to spinal tuberculosis on June 16, 1939 in his hometown of Baltimore, Maryland.
This 2CD set by Chick Corea - recorded in Quebec - contains several tracks called Chick Talks. During the first, he explains, "I have to begin by getting a feel for this piano…I have no plan for this evening", so I was prepared for free improvisations and a scholarly lecture. But when Corea says "Welcome to my living room" we are transported from the concert hall to an intimate solo recital that is coloured by his relaxed, conversational introductions. How Deep is the Ocean? eventually emerges empirically from a collection of apparently unrelated phrases, after which Corea comments, "I don’t know where that came from". Although there is a lot of improvisation in this piece, all of the other pieces are premeditated. Corea prefaces each batch of tunes with background details and personal reminiscences.
Blues has always been a music of comebacks, and Chick Willis is making strong, resurgent moves with this independently released album containing many of his original songs. Into his 53rd year playing music professionally, the guitarist and vocalist stays true to urban blues while making a contemporary pathway doused with soul and a little bit of a dirty-minded attitude. The music is horn-driven, fun for listening or dancing, and has all of the savvy and street smarts any veteran of this music should have. It seems his voice has not diminished one iota, while his songs suggest he's still enjoying life to the fullest. Of the six tracks written by Willis, the rocking shuffle "Houdini Blues" refers to "freakin'" things, but is more on track with a partner who tends to disappear, much to his chagrin…