For this somewhat obscure Chick Corea LP, the pianist teams up with flutist Steve Kujala for a set of duets. Together they perform three of Corea's lesser-known originals along with two melodic free improvisations.
Tones for Joan's Bones, Chick Corea's first session as a leader, is a blazing, advanced hard bop set from late 1966, with writing that reveals an affinity with McCoy Tyner's seminal hard bop structures from this period. Tenor player Joe Farrell and trumpeter Woody Shaw are ideal for this music. They deliver virtuoso performances that are both visceral and cerebral. Steve Swallow, while later focusing exclusively on electric bass, often with a melodic, impressionistic approach, is pure thunder here. In a blindfold test his acoustic bass could be mistaken for Buster Williams'. Drummer Joe Chambers is all relentless, propulsive energy, but subtle too.
For this somewhat obscure Chick Corea LP, the pianist teams up with flutist Steve Kujala for a set of duets. Together they perform three of Corea's lesser-known originals along with two melodic free improvisations. It's pleasant music but not particularly memorable compared to Corea's group projects.
Chick’s brilliant trio album from 1968, Now He Sings, Now He Sobs is held in the same kind of rarefied esteem as the classic Bill Evans trio sessions. One listen will tell you why …. the exquisite interplay between Chick, Czech bassist Miroslav Vitous and drum master Roy Haynes make it abundantly clear why this album has achieved such legendary status among jazz piano trio recordings…
One of Chick Corea's most ambitious projects was the recording of almost 60 hours of music with nine different groups over a three-week run at the Blue Note in December 2001; it must have been a challenge to choose the dozen performances for this two-CD set. The first disc begins with scat singer par excellence Bobby McFerrin joining the pianist to scat his way through three selections, including a stunning medley of an excerpt from Rodrigo's "Concierto de Aranjuez" and Corea's "Spain." Bassist Miroslav Vitous and ageless drummer Roy Haynes provide the pulse to his extended work "Matrix." Corea's well-crafted tribute to Bud Powell, with Terence Blanchard and Joshua Redman in the front line, combines two of Powell's greatest works, "Glass Enclosure" and "Tempus Fugit." But Corea is at his most lyrical when old friend Gary Burton joins him to revisit the pianist's masterpiece, the shimmering "Crystal Silence."