With ‘La Ronde’, Nicholas Angelich pays tribute to the relationships between three of Romanticism’s greatest composers for the piano. Schumann, Chopin and Liszt were born within 18 months of each other and knew each other personally. Schumann dedicated Kreisleriana to Chopin, who dedicated two of his Op.10 Etudes to Liszt, who, closing the circle, dedicated his B minor Piano Sonata to Schumann.
Weissenberg's Chopin is not for the faint hearted, but it does have its fans. No less a pianist than Glenn Gould commented parenthetically in an article in the May 1976 issue of High Fidelity that: “I always felt that I could live without the Chopin concertos and managed to until Alexis Weissenberg dusted the cobwebs from Mme. Sand’s salon and made those works a contemporary experience.” Gould brands Weissenberg's Chopin as a “unique example of the rite of re-creation”, alongside Barbara Streisand's Classical Barbara album. Take from that what you will. In any case, those jaded listeners who cannot bear talk of the warmth of Chopin's limpid beauty will probably enjoy Weissenberg's bracing bucket of ice immensely.
– Tim Perry, MusicWeb International
From the Minute Waltz to the Military Polonaise these 25 tracks display the inimitable master composer for the piano at his best in performances from some of the greatest Chopin interpreters: Martha Argerich, Emil Gilels, Maria João Pires, Maurizio Pollini, Yundi and more.