Six years after the classical Music of the Spheres, Mike Oldfield returns to his version of rock. Man on the Rocks is a slick production that recalls the AOR sounds of the late '70s and early '80s. He plays many instruments here but concentrates mainly on guitar. Among his collaborators are bassist Leland Sklar, keyboardist Matt Rollings, drummer John Robinson, guitarist Michael Thompson, and the Struts' vocalist Luke Spiller. Though these songs are housed in tightly written, hooky pop/rock melodies with conscious source checks from Queen and Toto to the Rolling Stones and the Steve Miller Band, they are among - if not the - most deeply personal entries in his catalog. Opener "Sailing" contains pained, troubled lyrics, yet its Celtic-flavored singalong chorus and ringing slide guitar solo add contrast and elevation…
Given all the overt literary references of Selling England by the Pound, along with their taste for epic suites such as "Supper's Ready," it was only a matter of time before Genesis attempted a full-fledged concept album, and 1974's The Lamb Lies Down on Broadway was a massive rock opera: the winding, wielding story of a Puerto Rican hustler name Rael making his way in New York City. Peter Gabriel made some tentative moves toward developing this story into a movie with William Friedkin but it never took off, perhaps it's just as well; even with the lengthy libretto included with the album, the story never makes sense…
Roots band Birds of Chicago formed in 2012 as a collaboration between Chicago's JT Nero (JT & the Clouds) and Vancouver's Allison Russell (Po' Girl). Although both singer/songwriters were actively leading their own projects, their combined efforts were convincing enough to make a go of it and they set about recording their debut. Though a talented songwriter in her own right, a big part of the Birds of Chicago sound came from the material Nero had written specifically for Russell to interpret, and it was their combined voices that won over fans on 2012's self-titled Birds of Chicago LP.