Comparing early Al di Meola dates like Land of the Midnight Sun and Casino to his albums of the 1990s, it's clear how much his playing has softened. The exceptional World Sinfonia, an entirely acoustic CD, makes it clear that what hasn't changed is his unpredictable, spontaneous nature. Di Meola's right-hand man throughout this highly introspective date is the soulful bandonean player Dino Saluzzi, with whom he enjoys an undeniably strong rapport. A long-time lover of world music, di Meola incorporates South American, Spanish, and Middle Eastern elements, and makes Argentine tango a very high priority.
Guitarist Al di Meola has been alternating electric and acoustic projects for the past few years. For this acoustic affair, he teams up with Dino Saluzzi on bandoneon to pay tribute to tango master Astor Piazzolla. The music (even a duet version of "Someday My Prince Will Come") has the flavor of Argentina and uses a wide variety of instrumentations, including an occasional string section and the voice of Hernan Romero. It's recommended to lovers of world music, the modern tango, and those who think of di Meola's guitar playing as being one-dimensional and purely based on speed.
On 1993's HAPPIER BLUE Smither returned to the full-band recording approach after more than 20 years. While that album's production proved a little too genteel for Smither's earthy blues-folk style, it set the stage for '95's UP ON THE LOWDOWN, arguably the finest recording of Smither's long career. Perfectly produced by guitarist Stephen Bruton, the album wisely focuses on a tougher, leaner small-band sound than its predecessor. The arrangements have just the right combination of bluesiness and delicacy to complement both Smither's Mississippi John Hurt leanings and his more lyrical side. As always, Smither's the master of redefinition, tackling Dylan's "What Was It You Wanted" and Jesse Winchester's "Talk Memphis" successfully. His compositional muse is also at its apex here, as on the introspective "I Am The Ride" and the elegant, bittersweet "'Deed I Do".
Chris Craft is a great one here - beautifully simple and straightforward jazz vocals, served up at a level that few other singers can match! The album's one of our favorites from Connor's classic years with Atlantic - as it's got a mellow, moody approach that's filled with the darker tones that first caught our ears on Chris' earliest recordings for Bethlehem. Instrumentation here is mostly small combo - arranged by Stan Free, and featuring Free on piano, Bobby Jaspar on flute, Mundell Lowe on guitar, George Duvivier on bass, and Ed Shaughnessy on drums.