Chris Rea Ost Malone Flac

Success continued to elude Chris Rea on his third album, Tennis, on which he began to experiment with slightly longer songs and more free-form jamming, the songs "Every Time I See You Smile," "Stick It," and the title track all being over five minutes long. For Tennis, he enlisted the assistance of Raphael Ravenscroft on saxophone fresh from his crowning moment on the Gerry Rafferty "Baker Street" single and Pete Wingfield on keyboards, among many other musicians to contribute to this album, but Chris Rea himself stamped his personal mark on the album, writing all the songs, providing vocals, guitar, and keyboards, and he even dispensed with the need for an outside producer.

After seven albums, Chris Rea was finally beginning to get the hang of what makes a commercial success. He had not changed his style throughout the 1980s, but now it was 1985 and the synth pop sounds and new romantics were both long gone – and in their place were stadium-filling anthemic rock or power ballads. Shamrock Diaries was a mix of soft ballads like "Chisel Hill" and "One Golden Rule" along with saxophone-led uptempo numbers such as the title track and the feel-good song of the summer, "All Summer Long," which would have made an ideal single had Magnet decided to release it. Shamrock Diaries was written very much with family in mind, particularly considering the two singles released: "Stainsby Girls" was a tribute to his wife, Joan, who had attended Stainsby Secondary Modern School; and "Josephine" was written for his eldest daughter.

~ All Music

Success continued to elude Chris Rea on his third album, Tennis, on which he began to experiment with slightly longer songs and more free-form jamming, the songs "Every Time I See You Smile," "Stick It," and the title track all being over five minutes long. For Tennis, he enlisted the assistance of Raphael Ravenscroft on saxophone fresh from his crowning moment on the Gerry Rafferty "Baker Street" single and Pete Wingfield on keyboards, among many other musicians to contribute to this album, but Chris Rea himself stamped his personal mark on the album, writing all the songs, providing vocals, guitar, and keyboards, and he even dispensed with the need for an outside producer. Hence the Elton John feel of his Gus Dudgeon-produced previous album, Deltics was gone, aside from on the ballad "Every Time I See You Smile," and it was replaced by a variety of styles including the horn-driven "Forever and Ever," the gospel song "Stick It" that closed the album, and the reggae-tinged, guitar-led instrumental "Friends Across the Water".

Chris Rea remained one of the best-kept secrets in the music industry, releasing five albums between 1979 and 1983, none of them reaching even the Top 50 in the charts. All were very well received by both the critics and the public who knew the secret. His secret was a brand of late-night rock that had an element of class, not dissimilar at this stage of his career to the early-'80s Dire Straits albums, but totally out of step, and proudly so, with the music of the time – new romantic, power and synth pop. He opened the album Water Sign with the song "Nothing's Happening by the Sea," which was so far laid back it was almost horizontal, with a harmonica instrumental break, and the album closed with a nod to synth pop on the track "Out of the Darkness."