Chris Rea Ost Malone Flac

Chris Rea has one of the most distinctive voices in rock, and since the release of ‘Driving Home For Christmas’ in 1988, it has become as synonymous with Christmas as holly, mistletoe and turkey!

The Blue Jukebox is the twentieth studio album by British singer-songwriter Chris Rea, released in 2004 by his independent record label Jazzee Blue. The cover artwork is inspired by Edward Hopper's Nighthawks painting. Compared to the Dancing Down the Stony Road (2002) has a smoother and jazzier take on the blues. It is Rea's fourth studio album released since the founding of his independent record label Jazzee Blue in 2002 and release of Dancing Down the Stony Road, with which changed his music style from rock to blues oriented after his life-saving medic operation in the early 2000s. It was released with cardboard packaging, matt paper, reproduction of illustrations, and 20-page booklet.

The Return of the Fabulous Hofner Bluenotes is the twenty-second studio album by British singer-songwriter Chris Rea, released in 2008 by his own record label, Jazzee Blue. It comprises three CDs and double 10" Vinyl records in an 80-page hardback book. It is the second album of his project, the Hofner Blue Notes (2003). The project narrates the history of The Delmonts, an imaginary guitar instrumental band from the late 1950s, who in early 1960s evolved into blues band The Hofner Bluenotes. It also gives a brief history of the Hofner guitar, and its importance in the development of music in Britain. The music was recorded by Rea (guitars), Colin Hodgkinson (bass) and Martin Ditcham (drums), who feature in the book, together with Niel Drinkwater and Robert Ahwai.

The perfect album for a day at the beach, Rea's eighth album takes the listener from the water's edge of the title song to the sunny fields of the French countryside in "Giverny." The upbeat reggae feel of "Lucky Day" works particularly well, but it is "On the Beach" that's the standout track. Rea seems to think so, too, as he's recorded it numerous times. The version here, though, is the most evocative, a little slower and more meditative than others. The lyrics, as in many of his songs, deal with remembrance and old love. "Little Blonde Plaits," "Hello Friend," and "It's All Gone" are other examples of this theme that appear on the album. While his later release, The Road to Hell, shows the darker side of Rea's worldview, On the Beach is an excellent introduction to his brighter, more optimistic songwriting. The last three songs are bonus tracks that were not on the original LP release, "Bless Them All" being a smooth, fluid instrumental.

New Light Through Old Windows is the first compilation album by British singer-songwriter Chris Rea, released in 1988. The album consists primarily of re-recordings of songs from earlier albums, as well as the new track "Working on It", which peaked at No. 73 on the US Billboard Hot 100, and was Rea's only No. 1 on the Mainstream Rock Tracks chart. "On the Beach" peaked No. 9 on the US Adult Contemporary singles chart, and No. 12 on the UK Singles Chart. The album reached number five on the UK Albums Chart, charted for over a year, and was certified 3x Platinum by BPI until 1992. It charted in the Top 10 in New Zealand, Australia and West Germany.

Never one to do things by halves, gravelly voiced guitarist Chris Rea continues the prolific and rather maverick streak which has recently seen him record an 11-disc "history of the blues," and an album under the guise of a fictional '50s instrumental band: that being his 23srd studio effort Santo Spirito Blues. Released in a CD/DVD package alongside a documentary on bullfighting and a black-and-white, Florence-based drama about redemption, (both of which feature separate, original soundtracks) – the first release since his Still So Far to Go compilation unexpectedly returned him to the U.K. Top Ten – attempts to build on its momentum with 13 quintessentially Rea blues-rock numbers.

‘One Fine Day’ was originally recorded in 1980 at Chipping Norton Studios and was produced by Rea himself. Never officially released as a single body of work, a limited run of 1000 brings together this collection of songs for the very first time. Some of the tracks have never been released before whereas other re-recorded versions have appeared on various albums and as b-sides.