Christian Rock Hits

This Japanese collection features mostly early Cliff Richard hits, beginning with his first, "Move It," which was released in 1958, through his so-called comeback years in the late 1970s, including his only U.S. hit, 1976's "Devil Woman." In the years after Elvis Presley but before the Beatles, Cliff Richard was the biggest thing in British rock & roll – and in the years after the Beatles, he was never far from the top of the U.K. charts. Arriving in 1958, just a couple of years after skiffle swept Britain, Richard was the first English singer to approximate the hip-shaking rebellion of American rock & roll with his 1958 debut single "Move It"…

Similar to AOR rockers Styx, Journey, and REO Speedwagon, Night Ranger yielded the same electric guitar wallop via Jeff Watson and Brad Gillis and sported a high-powered lead singer in the likes of Jack Blades. Since their albums only contained a small amount of strong material, Night Ranger's Greatest Hits is the essential one-stop for all of this band's best work…

Christian Fitness - Love Letters in the Age of Steam (2015) {Prescriptions PRESHBCD05}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 185 Mb | MP3 @320 -> 69 Mb
Full Artwork @ 300 dpi (png) -> 48 Mb | 5% repair rar
© 2015 Andrew Falkous & Prescriptions | RESHBCD05
Rock / Indie Rock / Post-Punk

Review Summary: An artist at another crossroads proves that he still has some ideas to offer and builds an inconsistent album around them. Christian Fitness is the (sort-of-) solo project by Future of the Left’s eccentric frontman, Andy Falkous. Love Letters in the Age of Steam treads ground that should be familiar enough for fans of Andy that are aware of his past works, but it’s also got a couple of natural evolutions that have been a long time coming. The album has a somewhat unfortunate tendency that is common for artist’s of Falkous’s caliber in that it exists in a state of simultaneous progression and regression.

Similar to AOR rockers Styx, Journey, and REO Speedwagon, Night Ranger yielded the same electric guitar wallop via Jeff Watson and Brad Gillis and sported a high-powered lead singer in the likes of Jack Blades. Since their albums only contained a small amount of strong material, Night Ranger's Greatest Hits is the essential one-stop for all of this band's best work…

"Wielding a nasty blues harp, a smokin' band and a gutsy, soulful rock and roll vocal style, Darrell Mansfield can go toe-to-toe with the best of them – and if you don't believe me, let your ears prove it to you with The Darrell Mansfield Ultimate Series Collection. In the annals of 'Christian rock' there aren't a whole lot of artists who can go up against the big boys from the other side of the fence and come away wiping the blood off their hands and smiling. You know what I mean – we're not talking about Bill Gaither here. Wielding a nasty blues harp, a smokin' band and a gutsy, soulful rock and roll vocal style, Darrell Mansfield can go toe-to-toe with the best of them – and if you don't believe me, let your ears prove it to you with The Darrell Mansfield Ultimate Series Collection.

"Wielding a nasty blues harp, a smokin' band and a gutsy, soulful rock and roll vocal style, Darrell Mansfield can go toe-to-toe with the best of them – and if you don't believe me, let your ears prove it to you with The Darrell Mansfield Ultimate Series Collection. In the annals of 'Christian rock' there aren't a whole lot of artists who can go up against the big boys from the other side of the fence and come away wiping the blood off their hands and smiling. You know what I mean – we're not talking about Bill Gaither here. Wielding a nasty blues harp, a smokin' band and a gutsy, soulful rock and roll vocal style, Darrell Mansfield can go toe-to-toe with the best of them – and if you don't believe me, let your ears prove it to you with The Darrell Mansfield Ultimate Series Collection.

Texas always seemed out of place, from the moment they released their debut until the time they hit the big time with White on Blonde in the second half of the '90s. They may have been able to gain momentum from Britpop, but they didn't really belong, since their sensibility was far too soulful and classy, borrowing equally from the smooth soul of the '70s, Americana fascinations, and, in a roundabout way, the sophisti-pop of the '80s. Still, they were professional, stylish, and, thanks to Sharleen Spiteri, sexy, which meant they did make sense in the aftermath of Britpop, even if they were a bit out of step. As the splendid Greatest Hits proves, they could even have made it into the American mainstream if they had received a push on adult alternative pop/rock radio, since they were melodic, classy, and solid.