Chronology Sound Horizon

Dark Horizon were born in the September 1996, as a power metal cover band. After several local live-exhibitions, in 1997 the band decided to write their own songs and began to create riffs and lyrics for a fantasy concept-album which contained eight songs. Four of these were recorded in May 1998 into the demo-tape “Legend in opera”, that received good reviews and approval from the specialized press…

US band Time Horizon was formed sometime after musicians Ralph Otteson and Bruce Gaetke started working on a project together back in 2004. At some point they had their own band-project going, and in 2011 they released their debut album "Living Water". "Transitions" is their sophomore effort, jointly released by the band's own label Angelic Noise Records and the US label Melodic Revolution Records. The band has spent the last four years writing and recording “Transitions” their follow up to the highly praised debut album. The band has also gone through some personal changes during the writing and recording process thus the meaning behind the name of the new album Transitions. The album also features some very special guest by members of Yes, Michael W. Smith, Glass Hammer and Proto-Kaw.

One of the first of the blissed-out rave acts to storm the charts, and also one of the longest lasting, the Future Sound of London deserved a good singles compilation, and fortunately they get one with the Virgin retrospective Teachings from the Electronic Brain. Their highest moments were virtually always their singles, and short-form tracks offer a much easier path to understanding the music of Brian Dougans and Garry Cobain than their occasionally bloated LPs. Teachings from the Electronic Brain neglects nothing of real value, beginning with their first chart hit ("Papua New Guinea") and grabbing the best tracks from their albums Accelerator ("Expander"), Lifeforms (the title track), the live-in-the-studio ISDN ("Far-Out Son of Lung and the Ramblings of a Madman," "Smokin' Japanese Babe"), and Dead Cities ("We Have Explosive"). Best of all, licensing requirements prevented the addition of material from 2002's half-baked The Isness.

"Little Girl" is a rock & roll classic. With its sneering vocals, vague threats, crude chords and rhythms, it's a menacing, swagger masterpiece of garage rock. It's also the only good thing the Syndicate of Sound ever recorded. Little Girl – The History of the Syndicate of Sound compiles nearly everything the group recorded, yet none of it comes close to matching the power of their hit single; it's a mess of weak originals and limp covers. The patience of even the most dedicated garage rock fan will be tested by the disc.