Chronos Magazin DE 2023 2024 Sportuhren Katalog

JOACHIM WITT ist eine Lichtgestalt der deutschen Kulturszene.
Seit über 40 Jahren steht er als erfolgreicher Musiker auf der Bühne und hat in den Jahrzehnten seine Wandelbarkeit bewiesen: Von seinen Hits "Der Goldenen Reiter" in der Zeit der NDW, der Begründung der neuen deutschen Härte in den 90er Jahren mit "Die Flut", seinen Auftritten beim Wacken Open Air und vielen anderen Festivals verschiedenster Art oder auch seiner jüngst entdeckten TikTok Karriere: Der 74-Jährige ist ein Chamäleon, oft provokativ und doch absolut integer.

First recordings of the complete surviving keyboard works by a forgotten figure of the French Baroque.Brilliant Classics has revived the names of many composers from obscure corners of history. Few of them have been as buried by the past as Pierre-Claude Foucquet, who was active in Paris in the first half of the 18th century. Yet anyone listening to this first complete recording of his music for harpsichord will surely wonder why. Three volumes survive: two books of Pièces de Clavecin, and a third entitled Caractères de la Paix. This was the first to be published in 1749. By then Foucquet had been organist at the magnificent Church of Saint-Eustache for some years, and he would go on to take up the post of titulaire at Notre Dame. He was following in a distinguished family line, his father and grandfather both having been organists at Saint-Eustache.

NEUE DEUTSCHE FOLKSMUSIK - Volume II: A special compilation featuring 45 artists and nearly 3.5 hours of intense music, including exclusive and rare songs. This offering is dedicated to our sacred nature and all its spirits that dance the circle of life and death. Let the melodies connect you to the essence of our world.

Orchestre National De Lyon L'Orchestre National de Lyon, or the National Orchestra of Lyon, is one of France's major regional orchestras. The ensemble grew out of a long tradition of orchestral music-making in its long-time culturally independent city. Ultimately, the history of L'Orchestre National de Lyon dates back to a municipal academy of the arts in the 18th century, but its immediate predecessor was the Societé Symphoniques des Grands Concerts, which was founded in 1903 and gave its first concert in 1905. It was later renamed the Societé des Concerts Philharmoniques. Although only semi-professional, this group attracted guest conductors from beyond southeastern France, including Pierre Monteux and Ernest Ansermet. In 1969, after gaining support from the city of Lyon, the group was renamed L'Orchestre Philharmonique Rhône-Alpes and then Société Philharmonique de Lyon. Early conductors were Louis Frémaux (1969-1971) and Serge Baudo (1971-1986); the latter moved the orchestra into the 2,0900-seat Maurice Ravel Auditorium, which remains the group's home today.