Circle+bloom Ivf Program

Circle are probably the most well known band of the Finnish underground music scene. Circle has secure their place as one of the best modern Space Rock/Krautrock exponents in recent years and now with every new release they're setting a goal for one of the best modern Experimental Rock bands in recent years. With such a varied discography and eclectic style, adventurous music fans will certainly enjoy this band.
Formed in 1991 in Pori, the band started as a 3 piece making aggressive music with influences from Spacemen 3, Loop and grunge bands. The members that started it all were Jussi Lehtisalo (guitars), Juha Ahtiainen (drums) and Marko Taipale (bass). With the first line-up they only managed to make one EP, "DNA/Independence"…

Circle II Circle features the voice of Atlantic Records recording artists Savatage from 1992-2000, Zak Stevens. CIIC was formed in 2002 and has five world-wide releases to it's credit over the last eight years; "Watching in Silence" (2003), "Middle of Nowhere (2005), "Burden of Truth" (2006), "Delusions of Grandeur" (2008), "Consequence of Power" (2010), plus four additional EP releases…

For saxophonists not familiar with Bloom's playing, this is an excellent release to do so with. The tunes are a mixture of originals and arranged standards and offer some great ensemble playing as well as solo work. Bloom has also procured a stellar group to create the music with as well, including Kenny Wheeler on trumpet and flugelhorn, Julian Priester on trombones, Bobby Previte on drums, Rufus Reid on bass, and Fred Hersch on piano. Bloom's soprano tone should be a benchmark for musicians wishing to hear what a well-played soprano saxophone sounds like. Not only is her "sound" superb, so are her incredibly well-chosen notes in solo passages. Bloom has an great amount of facility in all registers and blends this seemlessly with the arrangements around her.

Intimacy, intensity, passion this album explores the unfamiliar idea that fifteenth-century songs might cause us to sigh, weep, or laugh out loud. In bringing to life a world in which crying in public was not just acceptable but required, we have to take seriously the crushing despair of a line like My only sorrow is that I am not dead, or the undisguised sarcasm of This is how she chopped and cooked me up. In Johannes Ockeghem's (d. 1497) roughly two-dozen songs we find not only unparalleled compositional prowess, but feelings that range from happiness to loss, anger to despair, and bitterness to merriment. The album's all-vocal, fully texted, close-mic'd performances are rooted in a flexible, full-blooded vocal technique that aims to capture the music's technical brilliance and emotional depth.

What did it mean for Guillaume Du Fay (ca. 1397-1474), chameleon-like expert in every musical genre of his day, to compose four settings of the Mass Ordinary toward the end of his life? Looking back from the vantage point of the next generation, when the polyphonic mass reigned supreme, it might be tempting to interpret these works as a self-conscious summa of Du Fay’s career – an achievement akin to Haydn’s London Symphonies or Beethoven’s late string quartets. On a purely musical level these comparisons are apt. Each mass stakes out unique musical terrain; they are often strikingly experimental; and the entire set is shimmeringly beautiful from beginning to end, revealing a composer at the height of his powers.

The release of the disc from Silent Circle is an important event for Italo-Disco, Disco, Synthpop, Electronic, Pop fans in 2019. 14 pieces of music will impress fans - this is 52 minutes of excellent music.

Henki is the epic joint record from Richard Dawson, the diminutive Geordie troubadour, and Circle, the genre-straddling pioneers of The New Wave Of Finnish Heavy Metal. Unlike any metal album you have heard before, Henki’s seven tracks deal with special plants throughout history, making it the greatest flora-themed hypno-folk-metal record you’ll hear this year.