AVID Jazz here presents four classic Clark Terry related albums, including original LP liner notes on a finely re-mastered and low priced double CD. “Introducing Clark Terry”; The Dave Bailey Sextet-”One Foot In The Gutter”; “Clark Terry With Thelonious Monk” and Jimmy Hamilton’s- “It’s About Time”…
Recorded in New York in 1958, and released the same year, In Orbit is trumpeter Clark Terry’s sixth album as leader. Featuring Thelonious Monk on Piano, in his only Riverside outing as sideman, the album also features Sam Jones (bass) and Philly Joe Jones (drums). This new edition is released as part of the Original Jazz Classics Series and features remastered audio from the original master tapes. Available on 192/24 hi res digital.
Thelonious Monk, in addition to all his other notable qualities, was actually one of Riverside's most valuable talent scouts, recommending such mainstays as Johnny Griffin and Wilbur Ware, and introducing the label to Sonny Rollins and Clark Terry. The astoundingly adept trumpeter was always greatly appreciated by Thelonious, who quickly accepted the invitation to accompany Terry on this occasion. It was an album full of firsts and rarities: Monk's only Riverside appearance as a sideman; the first of Terry's many recordings on flugelhorn; the first of a great many Riverside dates for the great bassist Sam Jones; and the only occasion on which Monk and drummer Philly Joe Jones recorded together.
Duke Ellington was still touring in 1971, though his orchestra had lost many of his star soloists due to death or retirement, with the passing of Johnny Hodges being the greatest loss. The first ten tracks here initially appeared on the Polish bootleg LP Last Time, which utilized poorly edited excerpts of a radio broadcast of his Warsaw concert, resulting in losing the pacing of a typical show by the bandleader. At least this Gambit reissue identifies the songs correctly…
The studio and live recording sessions that Thelonious Monk cut during his six-year stay at the Riverside label are compiled over the 15 discs in the Complete Riverside Recordings. This middle era – between his early sides for Prestige and the final ones for Columbia – is generally considered Monk's most ingenious and creative period. The sessions are presented in chronological order, accurately charting the progression and diversions of one of the most genuinely enigmatic figures in popular music. The Complete Riverside Recordings explores Monk's genius with a certain degree of real-time analysis that simply listening to each of the individual albums from this era lacks.