Anatol Ugorski — "Anatol Ugorski - The Complete Recordings On Deutsche Grammophon" - Technical perfection, musical intelligence and courage are the hallmarks of Anatol Ugorski’s personality. Since his meteoric rise to fame in the 90’s, Ugorski’s interpretations, informed by his personal beliefs have stimulated discussion around the performer’s relationship with the score. Now his complete recordings on Deutsche Grammophon are presented together for the first time, including the first international release of his Scriabin Sonatas 2, 3, 5 & 9 as well as rare Chopin recordings.
In anticipation of his 75th birthday in 2017, this luxurious 55-CD set presents Pollini's complete recordings on DG with their original covers, including the first ever release of Prokofiev's Third Piano Concerto with the NHK Symphony Orchestra under Maxim Shostakovich (recorded in 1974). Also included are a 200-page booklet and 3 bonus DVDs: concerto recordings with Böhm and Abbado as well as Bruno Monsaingeon's documentary film De main de maître (2015).
The Action are one of the great "lost" bands of mid-'60s England. Though they filled mod clubs with happy patrons and managed to score George Martin as a benefactor, they only released a handful of unsuccessful singles during their brief existence. Most of their music remained in the vaults for years, only to be discovered later and celebrated. After years of reissues that only told part of the band's story, Grapefruit's 2018 Shadows and Reflections: The Complete Recordings 1964-1968 collects everything: their five officially released singles, BBC sessions, their legendary demos from 1967, backing tracks, alternate takes, different mixes, and songs they recorded just before the band broke up in 1968…
The Action are one of the great "lost" bands of mid-'60s England. Though they filled mod clubs with happy patrons and managed to score George Martin as a benefactor, they only released a handful of unsuccessful singles during their brief existence. Most of their music remained in the vaults for years, only to be discovered later and celebrated. After years of reissues that only told part of the band's story, Grapefruit's 2018 Shadows and Reflections: The Complete Recordings 1964-1968 collects everything: their five officially released singles, BBC sessions, their legendary demos from 1967, backing tracks, alternate takes, different mixes, and songs they recorded just before the band broke up in 1968. It's an impressive haul made even better by the excellent liner notes, session information, and crisp sound…
The Action are one of the great "lost" bands of mid-'60s England. Though they filled mod clubs with happy patrons and managed to score George Martin as a benefactor, they only released a handful of unsuccessful singles during their brief existence. Most of their music remained in the vaults for years, only to be discovered later and celebrated. After years of reissues that only told part of the band's story, Grapefruit's 2018 Shadows and Reflections: The Complete Recordings 1964-1968 collects everything: their five officially released singles, BBC sessions, their legendary demos from 1967, backing tracks, alternate takes, different mixes, and songs they recorded just before the band broke up in 1968. It's an impressive haul made even better by the excellent liner notes, session information, and crisp sound…
Coleman Hawkins was the first important tenor saxophonist and he remains one of the greatest of all time. A consistently modern improviser whose knowledge of chords and harmonies was encyclopedic, Hawkins had a 40-year prime (1925-1965) during which he could hold his own with any competitor…
On 100 discs (99 CD & 1 DVD), this box presents the complete oeuvre of Trevor Pinnock and The English Concert on Archiv Produktion. Purcell, Vivaldi, Handel, Bach, Haydn and Mozart are the focus of the repertoire. Numerous recordings such as the Brandenburg Concertos, Corelli's Concerti Grossi or the symphonies of William Boyce are among the milestones of recording history. A Bach album from the ensemble's early days is released for the first time on CD, as well as the never-published Dead March from Handel's "Saul". A 184-page booklet with essays by Trevor Pinnock and Jonathan Freeman-Attwood, the director of the Royal Academy of Music, as well as numerous photos and documents complete the extensive portrait.
The Amadeus were the most successful and highly-regarded Quartet of the 20th century. Benefitting from the jet aeroplane and from the record industry s ability to reach out to world, they dominated chamber music making for nearly 40 years. But concert tours are only successful if reviews are ecstatic and audiences delighted. They both were. For nearly 40 years, the Quartet (who styled themselves The Wolf-Gang ) roved the world, argued, celebrated and worked like no other group, and changed not a single member: Norbert Brainin, Siegmund Nissel, Peter Schidlof and Martin Lovett had a recording career from 1951 to 1987, ending only with the death of Peter Schidlof in 1987.
The first edition to comprise all of Helmut Walcha's recordings on Archiv Produktion, Deutsche Grammophon and Philips. Commemorating the 30th anniversary of Walcha's passing (11 August), it includes both the stereo (1956-1971) and the mono cycles (1947-1952) of Bach's complete works for organ; harpsichord recordings consisting of the Well-Tempered Clavier and the Violin Sonatas BWV 1014-1019 with Henryk Szeryng, the latter originally issued on Philips; plus other organ works from the early North German repertoire, including Bruhns, Scheidt, Buxtehude, and Sweelinck. The mastermind of Walcha's recordings was legendary producer Erich Thienhaus, a prolific recording producer and progenitor of the Tonmeister profession itself.
This 5 CD set brings together Martha Argerich’s complete studio, live and radio recordings on Deutsche Grammophon, and documents her special, intuitive and passionate relationship with Chopin’s music. Issued in time for her 75th birthday celebration on 5th June 2016, and accompanying the Early Recordings release, this retrospective offers a comprehensive view on the composer who has always been at the very heart of Martha Argerich’s repertoire.