Cliffhanger (1993) [reuploaded]

1964/1993 is a 3CD box set by Paul Simon. Released in 1993 and mastered with No Noise, this focuses on Simon's solo career but also touches on his roots with Simon & Garfunkel, including two songs when they were still Tom & Jerry. It features many of the hits between 1964 and 1993 plus choice album cuts. This was released on 28 September, 1993 by Warner Bros. Records.

Velocity Girl formed in 1989 or so at the University of Maryland outside Washington DC, and shortly thereafter settled on the lasting lineup of guitarist Archie Moore (Black Tambourine), guitarist Brian Nelson (Black Tambourine), drummer Jim Spellman (Starry Eyes, Foxhall Stacks, High Back Chairs, Julie Ocean, Piper Club), bassist Kelly Riles (Starry Eyes), and singer Sarah Shannon (Starry Eyes, The Not Its). The band combined English-inspired noisy shoegaze fuzz with scrappy US indie rock and classic ‘60s-style pop songwriting. A killer single on Slumberland and non-stop touring grabbed the attention of the indie-rock cognoscenti of the day, and, following a heated courtship involving both dinner AND dessert, Velocity Girl signed a contract on a car hood in Hoboken, New Jersey, making Sub Pop their home.

Jeff Buckley resented being called a folk singer, but he made his name playing solo sets like this one on the New York coffee circuit. Sony released this live EP before his first fully produced rock album, Grace, perhaps to attract attention to the raw power of Buckley's greatest gift, his voice. These four songs certainly accomplished that end. Buckley hurdles seemingly unreachable octaves, suspends notes for what seems like minutes, and belts out his falsetto without a scintilla of restraint. That's a positive inasmuch as it allowed him to show off his considerable talent; it's a negative when it sounded like he was showing off. But his ten-minute cover of Van Morrison's "The Way Young Lovers Do" is a tour de force of strumming and scatting, and his acoustic "Eternal Life" has an electricity that is paradoxically lacking on the plugged-in album version.[A deluxe edition released after his death added dozens of additional live tracks.]

One of the better compilations of Three Dog Night material, Celebrate covers all the important bases in the popular singles band's career. There's a brief hint of pre-3DN material from co-lead singers Danny Hutton and Cory Wells (no Chuck Negron), along with one stellar, tragically unreleased track from the band's brief Redwood incarnation, the Brian Wilson-penned "Time to Get Alone." The remainder of this two-CD collection recaps the group's many Top 40 hits along with choice album tracks. The songs are judiciously chosen, and the liner notes provide insights into the band's creative process and internal skirmishes, but there's nothing in the way of remastered tracks or uncovered obscurities. Nevertheless, this is a better option for Three Dog Night fans than any of the numerous single-disc greatest hits collections available, simply because there are no glaring oversights in the song choices. The expanded selection also makes the set a great one to convert anyone not yet warm to Three Dog Night's intricate harmony stylings: just play them the gorgeous non-singles "It's for You," "My Impersonal Life," and "I'd Be So Happy" back to back.

Digitally remastered and expanded two CD edition. Described, variously, as "dusky and mysterious, cosmetic and up-for-it", "Industrial techno disco," and "like a Japanese express train", Curve's second album Cuckoo is more sophisticated, more seductive, less serrated, even squelchy in places than their debut, Doppelganger. A mature, fluent, and literary album, it hit the Top 30 on release in 1993. Cuckoo takes the listener from the established hallmarks and runs with them - over the horizon - to many new and rich areas of pop melodrama. Delicate and gorgeous moments sit easily with their simultaneously cool and incendiary sound. A more personal album, it is nonetheless metallic, unforgiving, loud, clear. As with Doppelganger the album was produced by the band with Flood and Steve Osborne, and it was mixed by Alan Moulder. It is home to the lead tracks from singles Blackerthreetracker EP and 'Superblaster' and is regarded by the band as their best piece of work. This expanded edition includes the album plus the remixes and two previously unreleased tracks, the original versions of 'Rising' and 'Half The Time', which have only previously been available in their remixed form. Compiled by Dean Garcia and Toni Halliday.

A lot has been said of Cat Stevens' early music being over-produced and filled with bloated '60s studio touches, which is true, but, even so, that shouldn't obscure the fact that in these songs lie the genius that was to become Cat Stevens. And they're not altogether bad songs either. This collection opens with "I Love My Dog," which, while not brilliant, at least showed that Stevens was willing to approach songwriting from unconventional angles even at that stage. The following track, "The First Cut Is the Deepest," would have been a perfect fit for the Righteous Brothers. The majority of the songs, which aren't as consistently great as his later work, are still impressive. "I'm So Sleepy" sounds similar to some of the tracks he'd be cutting in a few years, as does the Gordon Lightfoot-esque "Blackness of the Night" and "Where Are You," which wouldn't have been out of place on Mona Bone Jakon. That's not to say that some of the songs aren't poorly done, but, overall, if the horns and strings are stripped away, you still have a Cat Stevens album.

Digitally remastered and expanded three disc (two CDs + NTSC/Region 0 DVD) edition of this 1993 album from the British band. This casebound book edition of the album is expanded to feature rare tracks, a radio session, demos and sought-after mixes plus a DVD featuring promo videos and live footage. The 24-page book features photos, memorabilia and extensive annotation by Iain Baker of the band. PERRVERSE features the hit singles 'Zeroes And Ones', 'The Right Decision' and Top 10 hit 'The Devil You Know', Incorporating elements of electronic music styles such as House and Techno to an Indie Rock format, along with fellow British groups such as the Shamen, Pop Will Eat Itself and EMF, Jesus Jones were one of the leading purveyors of the early 1990s Indie Dance scene.

Music For The Proletariat is a 26 song/band compilation released by Allied Recordings, a label founded by John Yates, who had designed covers for Alternative Tentacles and MaximumRockNRoll. The comp features bands from around the world, programmed on this disc in alphabetical order by name.