Clive Barker's Hellraiser V01

In the mid-1700's the East India Company has power over commerce on the sub-continent, with the blessings of the British government. A clerk in the company, Robert Clive, is frustrated by his lack of advancement, and transfers to the military arm of the company, where he excels. Clive's leadership and gift for manipulation strengthen England's hold over India and lead to personal wealth, which is often threatened by the enemies he makes along the way.

Cree Records is set to re-release jazz pianists Clive Zanda’s classic calypso jazz 'Clive Zanda Is Here! With "dat kinda ting"- Calypsojazz Innovations', originally released in 1975. Only 350 copies of the record were pressed in 1975 which makes it one of the most sought-after records from the Caribbean from that period today. With new distribution and manufacture being handled by German reissue speciality label Cree Records, this album — remastered and released as a vinyl LP — has the possibility of reaching a new global audience.

Clive Hunt’s Blue Lizzard is the first reggae instrumental album of its kind to come out of Jamaica since the heyday of Channel One and Joe Gibbs’ studios in the late 1970s and Rico Rodriguez’s influential Man From Wareika

HERITAGE is the first installment of the new two-album series from pianist, composer and live remixer Mark de Clive-Lowe. For the half-Japanese half-New Zealander, these two albums (his 15th and 16th albums respectively) are by far his most personal work yet - deep diving into his Japanese ancestry and cultural roots through the lens of jazz, electronica and beats in collaboration with his LA band of world-class musicians - Josh Johnson (Leon Bridges/Esperanza Spalding), Teodross Avery (Talib Kweli/Mos Def), Brandon Eugene Owens (Terrace Martin/Robert Glasper), Brandon Combs (Moses Sumney/Iman Omari) and Carlos Niño (Build An Ark/Lifeforce Trio).

Born in Auckland, New Zealand, de Clive-Lowe was raised bi-culturally by his Japanese mother and New Zealander father. He started learning piano at age 4 and developed an in interest in jazz through his father's record collection and oldest brother's own piano playing. As a teenager in New Zealand he got his first production and electronic music experiences collaborating with local hip hop and R&B artists. He cites the Tokyo jazz club scene as being a key factor in his decision later to really pursue jazz music.