Clonecd 2008

In short saxophone and church organ duets, John Surman and Howard Moody follow up their previous orchestral project, Proverbs & Songs from 1998, with this series of improvisations that track through occasional traditional themes, as well as new compositions that have older values and motifs in mind. Surman is his usual brilliant and staunchly individual self, whether playing his trusty baritone sax, bass clarinet, or at times, soprano, while Moody's keyboards provide more of a foundation rather than being on equal footing. Recorded in Oslo, Norway, moods from joyous and active to introspective or pensive are dotted throughout this program that seems like a musical biopic through the life of virtually anyone…

This album was recorded in the Kunstraum Syltquelle on the Northern German Island Sylt. It is the first part of a trilogy inspired by the many car travels that Spyra has to do when he drives to concert venues or sonic art exhibitions. Some compositions are slow, yet they have a certain rhythm. Others have quite fast rhythms, performed with powerful sequencers. The percussion also has an important role. The composer proves his great imagination by creating a warm electronic music. The use of synthesizers enhances the sensual atmospheres that appear in some of the compositions.

My Love: Essential Collection is a greatest hits album by Canadian recording artist Celine Dion. It was released by Columbia Records on 24 October 2008 as the follow up to her previous English-language compilation, All the Way… A Decade of Song (1999). Before releasing My Love: Essential Collection, Dion had already sold over 200 million albums worldwide. In the album's liner notes, she dedicated this collection of songs, recorded between 1990 and 2008, to her fans who supported her throughout the years. My Love: Essential Collection was released as a single disc, consisting of Dion's most successful singles, including: "My Heart Will Go On", "Because You Loved Me" and "The Power of Love".

After album (or "observation," as the band likes to call them) number eight - Ghost Reveries - Opeth could have very easily coasted, merely rehashing their sound. Instead, they opted to challenge themselves and their listeners, creating an album that can - at times - expose its true nature and scope slowly and - at other times - be jarring, as if it were turning itself inside out. Opeth take chances that many bands in the same situation would be too scared to have a go at. It's hard to say if the recent membership changes affected bandleader Mikael Åkerfeldt's writing and production, or if he was enjoying his trip down classic rock (see: Deep Purple) lane. For whatever reason, Watershed is a new benchmark for Opeth…

Some albums exist outside of time or place, gently floating on their own style and sensibility. Of those, the La’s lone album may be the most beguiling, a record that consciously calls upon the hooks and harmonies of 1964 without seeming fussily retro, a trick that anticipated the cheerful classicism of the Brit-pop ’90s. But where their sons Oasis and Blur were all too eager to carry the torch of the past, Lee Mavers and the La’s exist outside of time, suggesting the ’60s in their simple, tuneful, acoustic-driven arrangements but seeming modern in their open, spacy approach, sometimes as ethereal as anything coming out of the 4AD stable but brought down to earth by their lean, no-nonsense attack, almost as sinewy as any unaffected British Invasion band.