Closer Mondo Grosso

La finta giardiniera was a resounding success: after the first performance 1774 in Rome, the opera was translated into several languages and staged in many other European cities and inspired Mozart to write an opera of the same title. This world premiere recording by the ensemble l'arte del mondo shows the exceptional skills of this little-known composer. The Spanish Catalan soprano Nuria Rial is famous for her shining, crystal clear and beautiful voice and is one of the best baroque voices for baroque arias. She was described as "a silvery sounding voice, as clear as a bell."

That the four main works on this disc have never been recorded before is no reflection on the quality of the music or the composer. Joseph Martin Kraus, the German-born composer-contemporary of Mozart's working in Sweden, was all but forgotten after his death in 1792 and recordings of his works have been few and far between. And his four Italian cantatas on this disc were nearly completely forgotten after the death of the soprano they were written for in 1790.

In its day La scuola de’ gelosi (1778) was one of the best-known comic operas by Antonio Salieri (1750–1825), remaining a box-office hit for decades. All the more astonishing is the fact that it could sink into obscurity. Even Goethe was excited by this masterpiece: “The opera is the audience’s favourite, and the audience is right. It contains an astonishing richness and variety, and the subject is treated with the most exquisite taste. I was moved by every aria.” In the wake of its world premiere in Venice in 1778, La scuola de’ gelosi was performed in opera houses all over Europe, from Dresden, Vienna, Prague and Paris to cities as far away as London and St Petersburg, before it passed into near-oblivion.

Carl Stamitz, son of Mannheim composer Johann Stamitz, toured all over Europe and was a famous figure in the last third of the 18th century, well regarded almost everywhere. The exception was Mozart, who – probably out of jealousy, as annotator Olaf Krone suggested (the notes are in English, German, and French) – wrote that Stamitz and his brother Anton were "miserable note scribblers and players – boozers and whoremongers – which isn't my kind of people."