Clubbed To Death Elaine Viets

RDR The Album Vol. One: Clubbed to Death (1995) is a compilation album that brings together a collection of electronic, dance, and ambient tracks, designed for listeners who enjoy experimental and club-oriented sounds. The album is part of the RDR The Album series, which was known for compiling cutting-edge tracks from the world of electronic music during the 1990s. The title "Clubbed to Death" is likely a reference to the intense, rhythmic beats and dark atmospheric sounds featured on the album, capturing the energy of underground club culture in the mid-'90s.

RDR The Album Vol. One: Clubbed to Death (1995) is a compilation album that brings together a collection of electronic, dance, and ambient tracks, designed for listeners who enjoy experimental and club-oriented sounds. The album is part of the RDR The Album series, which was known for compiling cutting-edge tracks from the world of electronic music during the 1990s. The title "Clubbed to Death" is likely a reference to the intense, rhythmic beats and dark atmospheric sounds featured on the album, capturing the energy of underground club culture in the mid-'90s.

Lola a vingt ans. Elle s'endort une nuit dans un bus, se perd et se retrouve dans un monde étranger, envahi par la musique. Boîte de nuit géante, chassés-croisés. Emir vit là, incapable d'aimer, accroché à son frère Ismaël. Saïda est danseuse. Elle aime Emir et vit avec lui et son frère depuis le début. C'est l'histoire de ces solitudes qui se frottent les unes aux autres dans le plaisir, la danse, la saturation de la musique. Cela aurait pu continuer comme ça. Mais Lola aime Emir…

Faces of Death (1978), also released under the title The Original Faces of Death, is a mondo film which guides viewers through explicit scenes depicting a variety of ways to die and violent acts. It is often billed as Banned in 46 Countries.
A collection of death scenes, ranging from TV-material to home-made super-8 movies The common factor is death by some means.

An unblinking look at an entertainment-obsessed society, Amused to Death addresses issues that have only grown in complexity and urgency over the past two decades. With Amused to Death, Roger Waters sounded the alarm about a society increasingly — and unthinkingly — in thrall to its television screens. Twenty-three years later, Amused to Death speaks to our present moment in ways that could scarcely have been anticipated two decades ago. In 2015, television is just one option in an endless array of distractions available to us anytime, anywhere, courtesy of our laptops, tablets and smartphones. With eyes glued to our screens, the dilemmas and injustices of the real world can easily recede from view. The 2015 SACD edition of Amused to Death features a new 5.1 surround remix of the album completed by longtime Roger Waters / Pink Floyd collaborator and co-producer, James Guthrie. The art has been updated for 2015 by Sean Evans, the creative director of Waters’ 2010-2013 “The Wall Live” tour and movie.