Coda 011 2019

Coda 011 2019 digital Son of Ultron  Comics

Posted by Kochet at April 24, 2019
Coda 011 2019 digital Son of Ultron

Coda 011 2019 digital Son of Ultron
English | CBR | 39.7 MB

Coda 011 (2019) (digital) (Son of Ultron-Empire  Comics

Posted by Kochet at April 24, 2019
Coda 011 (2019) (digital) (Son of Ultron-Empire

Coda 011 (2019) (digital) (Son of Ultron-Empire
English | CBR | 39.7 MB
Ronald Brautigam - Beethoven: The Complete Piano Variations & Bagatelles (2019)

Ronald Brautigam - Beethoven: The Complete Piano Variations & Bagatelles (2019)
FLAC tracks | 06:48:16 | 1,6 Gb
Genre: Classical / Label: BIS

Between 2003 and 2015, Ronald Brautigam recorded all of Beethoven’s music for solo piano – a huge undertaking resulting in a grand total of 15 highly acclaimed albums. Choosing to perform the works on the fortepiano, Brautigam began with a sonata cycle which caused one reviewer to talk of a challenge to ‘the very notion of playing this music on modern instruments, a stylistic paradigm shift.’ In 2010, after nine albums of sonatas, he went on to record the composer’s variations, bagatelles and other piano pieces – a staggering array of works ranging from a Bagatelle lasting 11 seconds to the monumental Diabelli Variations, and from a charming Rondo in C major composed by a 13-year old Beethoven, to what is often referred to as the composer's ‘Last Musical Thought’, an Andante maestoso dated 1826.

Can - Tago Mago (1971) [Japanese Edition 2005]  Music

Posted by gribovar at Jan. 30, 2019
Can - Tago Mago (1971) [Japanese Edition 2005]

Can - Tago Mago (1971) [Japanese Edition 2005]
EAC Rip | FLAC (image+.cue+log) - 470 MB | Covers - 88 MB
Genre: Progressive/Krautrock | RAR 3% Rec. | Label: P-Vine Records (PCD-22203)

With the band in full artistic flower and Damo Suzuki's sometimes moody, sometimes frenetic speak/sing/shrieking in full effect, Can released not merely one of the best Krautrock albums of all time, but one of the best albums ever, period. Tago Mago is that rarity of the early '70s, a double album without a wasted note, ranging from sweetly gentle float to full-on monster grooves. "Paperhouse" starts things brilliantly, beginning with a low-key chime and beat, before amping up into a rumbling roll in the midsection, then calming down again before one last blast. Both "Mushroom" and "Oh Yeah," the latter with Schmidt filling out the quicker pace with nicely spooky keyboards, continue the fine vibe…